Met Highlights

The Path of Nature: French Paintings from the Wheelock Whitney Collection, 1785–1850

The Giralda, Seville,Adrien Dauzats, 1836/37, il on paper, laid down on canvas, 8 1/8 x 11 7/8 in

The Gate to the Temple of Luxor, Antoine-Xavier-Gabriel de Gazeau, comte de La Bouëre, 1836Medium:Oil on paper, laid down on canvas, 10 5/8 x 7 3/8 in.

Cloud Study (Early Evening), Simon Denis, ca. 1786–1806, Oil on paper, 8 7/8 x 10 1/8 in.

View of the Villa Torlonia, Frascati, at Dusk, Paul Flandrin, 1834–38, Oil on paper, laid down on paperDimensions:8 7/8 x 11 7/8 in.

Monks in the Cloister of the Church of Gesù e Maria, Rome
François-Marius Granet, 1808, Oil on canvas, 19 1/2 x 15 3/8 in.

Study of a Female Nude, Henri Lehmann, 1840, Oil on canvas, 14 x 8 3/4 in

Highlights from The Robert Lehman Collection

The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia), 1455–60, Tempera and gold on wood, 29 7/8 x 17 in.

Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, 0il on canvas, 17 3/8 x 14 1/8 in

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn, Jean-Auguste-Dominique Ingres, 1851–53, Oil on canvas, 47 3/4 x 35 3/4 in.

Masqueraders, Raimundo de Madrazo y Garreta, 1875–78, Oil on canvas, 40 x 25 1/2 in.

Venice: Night of the Festival of the Redeemer, Henri-Edmond Cross (Henri-Edmond Delacroix), 1903, Watercolor over pencil on white wove paper, 5 1/2 x 9 9/16 in

Dessert glass(?), probably late 17th century, Italian (Venetian), Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, H. 15.2 cm

Covered goblet, :probably late 19th century, Italian (Venetian), Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, pincered, applied parts., H. with cover 42.8 cm

A Goldsmith in His Shop, Possibly Saint Eligius, Petrus Christu, 1449, Oil on oak panel, 39 3/8 x 33 3/4 in

The Annunciation, Hans Memling, 1480–89, Oil on panel, transferred to canvas, 30 1/8 x 21 1/2 in.

Covered jug, German, Meissen, 1760, Hard-paste porcelain, 5 9/16 in.