tag:blogger.com,1999:blog-83182351208197844722024-03-13T16:09:19.144-04:00Jennifer SanchezJennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.comBlogger193125tag:blogger.com,1999:blog-8318235120819784472.post-49941204158902951892014-01-10T21:11:00.001-05:002014-01-10T21:11:31.421-05:00Pillows on Society 6<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY1329_Pillow#25=193&18=126" target="_blank"><img border="0" src="http://a1.s6img.com/cdn/0020/v/7636950_2122536-plwfr2_b.jpg" style="margin-left: auto; margin-right: auto;" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY1329_Pillow#25=193&18=126" target="_blank">16" X 16" pillow cover at Society 6, $20.00</a></td></tr>
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i've been playing around & making patterns from images of my paintings. loving the effect of mirror-ing & repeating the paintings! i've been looking for different ways to get my paintings on surfaces & textiles seem to be a great fit. on <a href="http://society6.com/JenniferSanchezArt/pillows" target="_blank">Society 6</a> i can make pillows & tote bags, perfect. some of the pillows are straight forward images of a painting, several are patterns based on paintings & a couple are 2 clashing patterns or paintings. the pillows come in a few different sizes & different fabrics for indoor or outdoor use.<br />
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://society6.com/JenniferSanchezArt/NY1326-Pattern-005_Pillow#25=193&18=126" target="_blank"><img border="0" src="http://a1.s6img.com/cdn/0021/v/8277713_6624897-plwfr2_b.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY1326-Pattern-005_Pillow#25=193&18=126" target="_blank">16" X 16" pillow cover at Society 6, $20.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://society6.com/JenniferSanchezArt/NY1323Pattern_Pillow#25=193&18=126" target="_blank"><img border="0" src="http://a1.s6img.com/cdn/0021/v/8337466_10649449-plwfr2_b.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY1323Pattern_Pillow#25=193&18=126" target="_blank">16" X 16" pillow cover at Society 6, $20.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://society6.com/JenniferSanchezArt/NY1301Pattern_Pillow#25=193&18=126" target="_blank"><img border="0" src="http://a1.s6img.com/cdn/0021/v/8333537_4051569-plwfr2_b.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY1301Pattern_Pillow#25=193&18=126" target="_blank">16" X 16" pillow cover at Society 6, $20.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://society6.com/JenniferSanchezArt/NY1318_Pillow#25=193&18=126" target="_blank"><img border="0" src="http://a1.s6img.com/cdn/0020/v/7618665_9773630-plwfr2_b.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY1318_Pillow#25=193&18=126" target="_blank">16" X 16" pillow cover at Society 6, $20.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://society6.com/JenniferSanchezArt/NY1326_Pillow#25=193&18=126" target="_blank"><img border="0" src="http://a1.s6img.com/cdn/0020/v/7617440_14868297-plwfr2_b.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY1326_Pillow#25=193&18=126" target="_blank">16" X 16" pillow cover at Society 6, $20.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://society6.com/JenniferSanchezArt/NY1325_Pillow#25=193&18=126" target="_blank"><img border="0" src="http://a1.s6img.com/cdn/0020/v/7618045_11804825-plwfr2_b.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY1325_Pillow#25=193&18=126" target="_blank">16" X 16" pillow cover at Society 6, $20.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://society6.com/JenniferSanchezArt/NY130127-Mashup_Pillow#25=193&18=126" target="_blank"><img border="0" src="http://a1.s6img.com/cdn/0021/v/8334003_4530041-plwfr2_b.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://society6.com/JenniferSanchezArt/NY130127-Mashup_Pillow#25=193&18=126" target="_blank">16" X 16" pillow cover at Society 6, $20.00</a></td></tr>
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check out ALL the pillows plus the different accessories available on <a href="http://society6.com/JenniferSanchezArt" target="_blank">Society 6</a> like, phone, pad & laptop skins & cases.</div>
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<br />Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-26779596506901088772014-01-03T23:04:00.000-05:002014-01-04T13:28:57.618-05:00Beautiful Stuff on Etsy, MEOW!<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="https://www.etsy.com/listing/155661715/vintage-turkish-kilim-rug-carpet?ref=favs_view_1" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://img0.etsystatic.com/017/0/6747710/il_570xN.475631664_3yyy.jpg" /></a></td></tr>
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<a href="https://www.etsy.com/listing/155661715/vintage-turkish-kilim-rug-carpet?ref=favs_view_1">sofART, </a><a href="https://www.etsy.com/listing/155661715/vintage-turkish-kilim-rug-carpet?ref=favs_view_1">VINTAGE Turkish Kilim Rug Carpet, Handwoven Kilim Rug,Antique Rug Kilim,Decorative Kilim, Naturel Wool 38,1" X 61,8"</a>, <span style="font-size: x-small;"><a href="https://www.etsy.com/listing/155661715/vintage-turkish-kilim-rug-carpet?ref=favs_view_1" target="_blank">$209.00</a></span></td></tr>
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another round of great stuff on Etsy.<br />
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<tr><td style="text-align: center;"><a href="https://www.etsy.com/listing/122719242/colour-block-pillow-geometric-pink?ref=favs_view_8" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://img1.etsystatic.com/015/0/5142665/il_570xN.424202573_qa6s.jpg" /></a></td></tr>
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<a href="https://www.etsy.com/listing/122719242/colour-block-pillow-geometric-pink?ref=favs_view_8" target="_blank">memake, Colour block pillow geometric pink cushion striped black gold leather detail memake handmade modern home decor, $64.07</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://www.etsy.com/listing/152887305/18-carat-gold-carved-bronze-geode-ring?ref=favs_view_24" target="_blank"><img border="0" src="https://img1.etsystatic.com/043/0/6626532/il_570xN.523888005_ct7a.jpg" /></a></span></td></tr>
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<a href="https://www.etsy.com/listing/152887305/18-carat-gold-carved-bronze-geode-ring?ref=favs_view_24" target="_blank">JoannaGN, 18 carat Gold Carved Bronze Geode Ring Inspired by Rock Forms, $126.45</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://www.etsy.com/listing/153671135/kandis-hand-block-in-queen?ref=favs_view_4" target="_blank"><img border="0" src="https://img0.etsystatic.com/012/1/6776670/il_570xN.468243878_n7jc.jpg" /></a></span></td></tr>
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<a href="https://www.etsy.com/listing/153671135/kandis-hand-block-in-queen?ref=favs_view_4" target="_blank">Gypsya, Kandi's Hand Block in Queen, $128.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://www.etsy.com/listing/162878053/52-longvintage-geometric-japanese-indigo?ref=favs_view_16" target="_blank"><img border="0" src="https://img1.etsystatic.com/020/0/6822490/il_570xN.502289703_jpob.jpg" /></a></span></td></tr>
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<a href="https://www.etsy.com/listing/162878053/52-longvintage-geometric-japanese-indigo?ref=favs_view_16" target="_blank">CosimaOrimono, 52" long....Vintage Geometric Japanese indigo cotton kimono fabric, $15.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://www.etsy.com/listing/126696066/the-moon-is-bleeding?ref=favs_view_1" target="_blank"><img border="0" src="https://img1.etsystatic.com/011/1/7277225/il_570xN.438969541_6p7t.jpg" /></a></span></td></tr>
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<a href="https://www.etsy.com/listing/126696066/the-moon-is-bleeding?ref=favs_view_1" target="_blank">PULPprints, <span style="font-size: x-small;">The Moon is Bleeding, 16" x 20", </span><span style="font-size: x-small;">$40.00</span></a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://www.etsy.com/listing/66611842/the-owl-fine-art-collage-illustration?ref=favs_view_21" target="_blank"><img border="0" src="https://img0.etsystatic.com/000/0/5272179/il_570xN.354152406.jpg" /></a></span></td></tr>
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<a href="https://www.etsy.com/listing/66611842/the-owl-fine-art-collage-illustration?ref=favs_view_21" target="_blank">EineDerGuten, The owl, Fine Art Collage Illustration Print on handmade watercolor paper, 8x12 inch,, $25.13</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://www.etsy.com/listing/115219448/atropos-giclee-art-print?ref=favs_view_15" target="_blank"><img border="0" src="https://img0.etsystatic.com/008/0/5413492/il_570xN.396117574_gkd2.jpg" /></a></span></td></tr>
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<a href="https://www.etsy.com/listing/115219448/atropos-giclee-art-print?ref=favs_view_15" target="_blank">HollieChastainArt, Atropos - Giclee Art Print, 8" x 12" $20.00</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://www.etsy.com/listing/73755300/large-illustration-print-1170-x-1650-a3?ref=favs_view_6" target="_blank"><img border="0" src="https://img0.etsystatic.com/007/0/6029780/il_570xN.372931212_my2u.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="https://www.etsy.com/listing/73755300/large-illustration-print-1170-x-1650-a3?ref=favs_view_6" target="_blank">edubarba, Large illustration print 11.70 x 16.50 (A3). Braille Alphabet N.3., $17.45</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://www.etsy.com/listing/113632060/black-cat-art-mixed-media-collage-print?ref=favs_view_23" target="_blank"><img border="0" src="https://img1.etsystatic.com/006/1/6151048/il_570xN.377028381_ec76.jpg" /></a></span></td></tr>
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<a href="https://www.etsy.com/listing/113632060/black-cat-art-mixed-media-collage-print?ref=favs_view_23" target="_blank">frighten, Black Cat Art, Mixed Media Collage Print, Kitten Boys, Altered Portrait of Twin Brothers, Halloween Decoration, 5" x 7", $15.00</a></td></tr>
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<tr><td style="text-align: center;"><a href="https://www.etsy.com/listing/47985072/fear-of-fruit-in-all-its-forms-limited?ref=favs_view_21" style="margin-left: auto; margin-right: auto;" target="_blank"><img border="0" src="https://img0.etsystatic.com/000/1/5171600/il_570xN.146585380.jpg" /></a></td></tr>
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<a href="https://www.etsy.com/listing/47985072/fear-of-fruit-in-all-its-forms-limited?ref=favs_view_21" target="_blank">viviennestrauss, </a><span style="font-size: x-small;"><a href="https://www.etsy.com/listing/47985072/fear-of-fruit-in-all-its-forms-limited?ref=favs_view_21" target="_blank">Fear of Fruit in all its Forms. Limited edition of an original collage, 8.5" x 11", </a></span><a href="https://www.etsy.com/listing/47985072/fear-of-fruit-in-all-its-forms-limited?ref=favs_view_21" target="_blank"><br /></a><a href="https://www.etsy.com/listing/47985072/fear-of-fruit-in-all-its-forms-limited?ref=favs_view_21" target="_blank"><br /></a><span style="font-size: x-small;"><a href="https://www.etsy.com/listing/47985072/fear-of-fruit-in-all-its-forms-limited?ref=favs_view_21" target="_blank">$30.00</a></span></td></tr>
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<br />Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-86381027883815832412013-12-29T19:35:00.000-05:002013-12-29T19:36:05.941-05:00Making Patterns! Now What?<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG3TGClhyphenhyphenCzSFUppS-RBaYnuecMd5J1PwfCuiHcNmshmD437qknBxyTi8HXuTn4abnndV1is8VgOUNXwTG2E7bs2hnTmcXxu-DZKBbO2EgSADMqvEvI5CVMk52LFjjHGV46Su8mHK16zLB/s1600/NY1318Pattern002_10X15.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjG3TGClhyphenhyphenCzSFUppS-RBaYnuecMd5J1PwfCuiHcNmshmD437qknBxyTi8HXuTn4abnndV1is8VgOUNXwTG2E7bs2hnTmcXxu-DZKBbO2EgSADMqvEvI5CVMk52LFjjHGV46Su8mHK16zLB/s640/NY1318Pattern002_10X15.gif" width="426" /></a></div>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://bit.ly/1ejN4up" target="_blank"><img border="0" height="400" src="https://img0.etsystatic.com/018/0/6470340/il_570xN.496755378_l8mt.jpg" width="333" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://bit.ly/1ejN4up" target="_blank">The painting, NY13#18 that the above pattern is based on.</a></td></tr>
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I've been trying to figure out how to make patterns with my paintings so that the patterns can be sold or licensed. I've begun tackling the first bear, making the patterns. The above pattern is based on <b><a href="http://bit.ly/1ejN4up">NY13#18</a>. </b>I used this tutorial to get me started -<b> http://bit.ly/KffFrp </b> Still playing & figuring things out. Look below for more patterns!<br />
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As far as selling or licensing patterns, that's the next hungry, gristly bear to sort out. Any one got any advice? Surface design is what this pattern making can be called. And I'm open to putting these patterns on just about anything. But I really see them working with clothing & other textiles. I have several dream designers I've mentioned before that I would love to collaborate with; <b><a href="http://www.dvf.com/dresses/print-dresses/" target="_blank">DVF</a> </b>& <b><a href="http://www.proenzaschouler.com/collections/fall-winter-2014/" target="_blank">Proenza Schouler</a>.</b> Imagine them as woven rugs or tapestries. What? My head is exploding...<br />
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The next 2 patterns are based on <b><a href="http://etsy.me/1h6rtum" target="_blank">NY13#25</a></b><br />
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The next 2 patterns are based on <b><a href="http://etsy.me/19xQqKv" target="_blank">NY13#26</a></b><br />
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I want the details of the painting bigger, so I'll be working on that next. Also, want to make them less band-like & use more than 1 painting in a pattern.<br />
<br />Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-5910887616379924472013-08-04T18:42:00.002-04:002013-08-04T18:42:32.052-04:00Chelsea Highlights<div class="separator" style="clear: both; text-align: center;">
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<a href="http://www.robertmann.com/exhibitions/2013/summer/image_01.html"><b>Hot Summer, Cool Jazz: The Photographs of Herman Leonard at Robert Mann Gallery</b></a><br />
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This show kicked ass! So many beautiful photographs. The Frank Sinatra is a fav and Ella sweating makes me ache to be in that club.<br />
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<tr><td class="tr-caption"><br /><br /><br /><a href="http://www.robertmann.com/exhibitions/2013/summer/image_07.html">Herman Leonard at Robert Mann Gallery, Frank Sinatra, Monte Carlo, 1958, silver print, 14 x 11 inches</a></td></tr>
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<tr><td class="tr-caption"><br /><br /><br /><a href="http://www.robertmann.com/exhibitions/2013/summer/image_13.html">Herman Leonard at Robert Mann Gallery,Ella Fitzgerald, Paris, Olympia Theatre, 1960, silver print, 20 x 24 inches,<br />from a limited edition of 50</a></td></tr>
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<tr><td class="tr-caption"><br /><br /><br /><a href="http://www.robertmann.com/exhibitions/2013/summer/image_15.html">Herman Leonard at Robert Mann Gallery, Louis Armstrong, Paris, 1960, silver print,16 x 20 inches, from a limited edition of 30</a><br /></td></tr>
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<tr><td class="tr-caption"><br /><br /><br /><a href="http://www.robertmann.com/exhibitions/2013/summer/image_19.html">Herman Leonard at Robert Mann Gallery, Ella Fitzgerald, Duke Ellington, Benny Goodman, Downbeat Club, 52nd St., NYC, 1948</a>, <a href="http://www.robertmann.com/exhibitions/2013/summer/image_19.html">silver print20 x 24 inchesfrom a limited edition of 30</a></td></tr>
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<br /><br /><br /><br /><br /><br /><b>RANDOM BITS FROM ALL THE GROUP SHOWS</b><br /><br /><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://morganlehmangallery.com/exhibitions/2013-07-10_bathers/"><img border="0" src="http://prod-images.exhibit-e.com/templates_exhibit-e_com/e47871f2ca6fc7bbbb1ecdaa0d596eae0.jpg" /></a></span></td></tr>
<tr><td class="tr-caption"><br /><br /><br /><a href="http://morganlehmangallery.com/exhibitions/2013-07-10_bathers/">Hope Gangloff at Morgan Lehman, Lake Minnewaska in June (2013), Acrylic On Canvas, 62h x 36w in</a></td></tr>
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<a href="http://baileygallery.com/exhibition_03.cfm?pg_art=4&exh=951">Nichole van Beek at Jeff Bailey Gallery, Peephole, 2013, acrylic on canvas, 15 x 15 inches</a></div>
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<a href="http://baileygallery.com/exhibition_03.cfm?pg_art=5&exh=951">Nichole van Beek at Jeff Bailey Gallery, Cue Sheet, 2013, acrylic on canvas, 15 x 15 inches</a></div>
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<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.seniorandshopmaker.com/exhibitions/Surface_Tension_Installation.html">Robert Nickle at Senior & Shopmaker, Black Collage, 1978-79, collage on paper, 10 x 10 1/2 inches</a></td></tr>
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at Mathew Marks, Inserting Final Passes of Welt Using a Needle, 1956, Gelatin silver print, printed 201, 11 x 14 inches
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, Polyester double-knit, polyester crepe, polyester twill, cotton sateen, embroidery thread with muslin backing, 90 x 78 inches</a></td></tr>
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<a href="http://www.dcmooregallery.com/exhibitions/2013-06-20_woods-lovely-dark-and-deep#works_23">Charles Burchfield at DC Moore, Wood Lilies, 1944, Watercolor and chalk on paper, mounted to board, 24 7/8 x 20 1/4 inches</a></div>
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<a href="http://www.dcmooregallery.com/exhibitions/2013-06-20_woods-lovely-dark-and-deep#works_23">Charles Burchfield at DC Moore, Black Tree (Gloomy Tree), 1917, Watercolor, gouache, and pencil on paper, 14 x 11 inches</a></div>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-80337155134268927302013-07-31T18:46:00.001-04:002013-07-31T18:46:35.002-04:00LES Highlights<div class="separator" style="clear: both; text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><a href="http://www.mckenziefineart.com/exhib/Reticulate2013exhb.html">Lori Ellison at McKenzie Fine Art, Untitled, 1999</a><a href="http://www.mckenziefineart.com/exhib/Reticulate2013exhb.html">Ink on paper</a><a href="http://www.mckenziefineart.com/exhib/Reticulate2013exhb.html">11 x 8 1/2 inches</a><br /></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://lumagnus.com/exhibition/grid?tab=works"><img border="0" height="640" src="http://lumagnus.com/sites/default/files/delucia.jpeg" width="480" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><a href="http://lumagnus.com/exhibition/grid?tab=works">Michael DeLucia at Lu Magnus, Double Beam, Plywood and construction enamel, 48 x 96 x 96, 2013</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://lumagnus.com/exhibition/grid?tab=works"><img border="0" src="http://24.media.tumblr.com/af2e50b7f03f7279666b0fbd997a91f1/tumblr_mq37enIuUB1qzmv8ao1_500.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><a href="http://lumagnus.com/exhibition/grid?tab=works">Michelle Grabner at Lu Magnus, Untitled, Silverpoint and gesso on panel, 36 x 36</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.dcktcontemporary.com/exhibitions/982/works/27870"><img border="0" src="http://a4.res.cloudinary.com/tristanmedia/image/private/c_limit,fl_keep_iptc,h_600,q_100,w_600/v1372442770/i2wj4zeo0tmw64sd6shh.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><a href="http://www.dcktcontemporary.com/exhibitions/982/works/27870">Louis Reith at DCKT, Untitled, found book pages, 12 x 8 ¼” UF</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.salon94.com/exhibitions/detail/jimmy-de-sana/3737"><img border="0" src="http://www.salon94.com/images/made/assets/artwork/JDesana02-web_349_500.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><br /><a href="http://www.salon94.com/exhibitions/detail/jimmy-de-sana/3737">Jimmy DeSana at Salon 94, Laurie Anderson Portrait, Archival inkjet print, 26 × 20 inches</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.salon94.com/exhibitions/detail/jimmy-de-sana/3836"><img border="0" src="http://www.salon94.com/images/made/assets/artwork/JDe12_620_444.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><br /><a href="http://www.salon94.com/exhibitions/detail/jimmy-de-sana/3836">Jimmy DeSana at Salon 94, Toothpaste, 1980, c-print, 21.875 × 30.125 inches</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://dennygallery.com/exhibitions/works-off-canvas/"><img border="0" height="640" src="http://dennygallery.com/wp-content/uploads/2013/06/mr_untitled008-13_web2.jpg" width="508" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><br /><a href="http://dennygallery.com/exhibitions/works-off-canvas/">Michael Rudokas at Denny Gallery, Untitled, 2013<span class="Apple-tab-span" style="white-space: pre;"> </span>House paint, acrylic and denim on denim, 27 x 21 inches</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://dennygallery.com/exhibitions/works-off-canvas/"><img border="0" height="632" src="http://dennygallery.com/wp-content/uploads/2013/06/AV_Cavity-13_web.jpg" width="640" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><br /><a href="http://dennygallery.com/exhibitions/works-off-canvas/">Amanda Valdezat Denny Gallery, Cavity, 2013, Fabric, acrylic, gouache and embroidery,12 x 12 inches</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.drawingcenter.org/en/drawingcenter/5/exhibitions/6/current/116/ken-price/"><img border="0" height="640" src="http://www.drawingcenter.org/files/2856db4f6333244bf482ad2661ce91edc82b867a.jpg" width="500" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><br /><a href="http://www.drawingcenter.org/en/drawingcenter/5/exhibitions/6/current/116/ken-price/">Ken Price at The Drawing Center</a></td></tr>
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<tr><td style="text-align: center;"><a href="http://www.drawingcenter.org/files/84228a908880ed7904f46d1a005bf8fd7a18927a.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="500" src="http://www.drawingcenter.org/files/84228a908880ed7904f46d1a005bf8fd7a18927a.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><br /><a href="http://www.drawingcenter.org/en/drawingcenter/5/exhibitions/6/current/116/ken-price/">Ken Price at The Drawing Center</a></td></tr>
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<br />Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-58065515865627671212013-07-23T22:38:00.005-04:002013-07-25T17:35:11.577-04:00My Art on Shoes, Maybe!<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td><a href="http://static.squarespace.com/static/51216728e4b0cbd2cf289f32/51216728e4b0cbd2cf289f36/512177e2e4b06840010b4591/1367628711533/ny1301.jpg?format=1000w" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://static.squarespace.com/static/51216728e4b0cbd2cf289f32/51216728e4b0cbd2cf289f36/512177e2e4b06840010b4591/1367628711533/ny1301.jpg?format=1000w" width="458" /></a></td></tr>
<tr><td class="tr-caption" style="font-size: 12.727272033691406px;"><br />
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the original NY13#01, 11" X 7.5", mixed media on paper, 2013<br />
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<b><a href="http://www.bucketfeet.com/">Bucketfeet</a> </b>is a Chicago based company that make limited run shoes using artists' designs. I wasn't quite sure what the submission process was like, but I knew it would be cool to have my paintings on some shoes. I want these shoes.</div>
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Turns out, the submission required some skills I had to learn. </div>
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<li>Simplify the colors of a painting down to just 6 colors. </li>
<li>Choose which 6 colors I wanted to use. It's much harder to mix color on a screen than on a palette using acrylic paint. Couldn't quite get the feisty orange I was after.</li>
<li>Relearn how to fill a space with that 6 color painting.</li>
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You can see a bit of the process below. Click images for larger views.</div>
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My first design for a lace-up sneaker.</div>
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<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX0_yNnnZFgaBa-ILtrpIybgdFW1RFJQFnglExoo0iopRF3GV6oex9zrXe0pk-br35wEDSIoMteZdEIFLEl18edceC81_3KN-9K5_WMs-apOU4WOFM8LzI5YzcutAjCrFDIT_yuOs-ivu0/s1600/BucketFeet_OriginalArtwork_JSanchez_NY1301.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhX0_yNnnZFgaBa-ILtrpIybgdFW1RFJQFnglExoo0iopRF3GV6oex9zrXe0pk-br35wEDSIoMteZdEIFLEl18edceC81_3KN-9K5_WMs-apOU4WOFM8LzI5YzcutAjCrFDIT_yuOs-ivu0/s640/BucketFeet_OriginalArtwork_JSanchez_NY1301.gif" width="418" /></a></td></tr>
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The 6 color version of NY13#01</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOgjaqf7WO4h5ZT-FxTRy2J92L1dZtvZgecpnjjgVoZXeS0-vs6Eu1J6RAksdI1lt4YNg9WDJ862YofDETIXmxgB9A-UAUYp_6MgWBijzSmg_1SWVlVTc06BjltVxsEsBqaNsjgfUISKbs/s1600/BucketFeet_Flat_Lace-UpJSanchez.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjOgjaqf7WO4h5ZT-FxTRy2J92L1dZtvZgecpnjjgVoZXeS0-vs6Eu1J6RAksdI1lt4YNg9WDJ862YofDETIXmxgB9A-UAUYp_6MgWBijzSmg_1SWVlVTc06BjltVxsEsBqaNsjgfUISKbs/s640/BucketFeet_Flat_Lace-UpJSanchez.gif" width="420" /></a></td></tr>
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Template for a lace-up sneaker using a 6 color version of NY13#01</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXtosyV6IVIdNQP34O3t1EHmbTEgt6VbsWMC0C6ywjvnDVy8WtVFJ9eeb2B-w-fE_3u5celuT6NG8WBAtmSi6LQqeZHGNwZawvFWLj9uapHEyVzoQH2fjGrxUQHIpyfng2k3djwETLPV1_/s1600/BucketFeet_Lace-up_Mock-up_JSanchez.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXtosyV6IVIdNQP34O3t1EHmbTEgt6VbsWMC0C6ywjvnDVy8WtVFJ9eeb2B-w-fE_3u5celuT6NG8WBAtmSi6LQqeZHGNwZawvFWLj9uapHEyVzoQH2fjGrxUQHIpyfng2k3djwETLPV1_/s640/BucketFeet_Lace-up_Mock-up_JSanchez.jpg" width="640" /></a></td></tr>
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Mock up of slip-on sneaker using a 6 color version of NY13#01</td></tr>
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My 2nd design for a slip-on sneaker.</div>
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<tr><td style="text-align: center;"><a href="http://static.squarespace.com/static/51216728e4b0cbd2cf289f32/51216728e4b0cbd2cf289f38/5121804ae4b06840010b6021/1361653182221/ny1215.jpg?format=750w" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://static.squarespace.com/static/51216728e4b0cbd2cf289f32/51216728e4b0cbd2cf289f38/5121804ae4b06840010b6021/1361653182221/ny1215.jpg?format=750w" width="460" /></a></td></tr>
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the original NY12#15, 11" X 7.5", mixed media on paper, 2013</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKYGgT91nEaWVMxqRx48fXjKhTUrv86K71RNkDKV6pNRg_UDDpQFKBTBaAd2yQ1IdlbQKgeOxL32XK8_KN6LSmLf4xJrLCVPRBIszhvHwh73syc7q0sZY0kq4X9lDoOvFiEniEDHb3U_5u/s1600/BucketFeet_OriginalArtwork_JSanchez_NY1215.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjKYGgT91nEaWVMxqRx48fXjKhTUrv86K71RNkDKV6pNRg_UDDpQFKBTBaAd2yQ1IdlbQKgeOxL32XK8_KN6LSmLf4xJrLCVPRBIszhvHwh73syc7q0sZY0kq4X9lDoOvFiEniEDHb3U_5u/s640/BucketFeet_OriginalArtwork_JSanchez_NY1215.gif" width="406" /></a></td></tr>
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The 6 color version of NY12#15</td></tr>
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Template for a slip-on sneaker using a 6 color version of NY12#15</td></tr>
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Mock up of slip-on sneaker using a 6 color version of NY12#15</td></tr>
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Let's see if they make the cut!</div>
<br />Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com1tag:blogger.com,1999:blog-8318235120819784472.post-63089175234114119272013-07-20T15:50:00.002-04:002013-07-22T18:29:06.814-04:00New Monoprints & How I Made Them<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj31mum9o-BxlgEq0_iP1Y5CDv1qk4Rb7X8YNn44V3rKVbCebLxe0uNZlksyeLN3ZnWGJZsJdiA9xGIJ2gfmFUdY-cpE4BNvZbv2pWxuEtukK_PlBsKSR9UIBJF4V11nmymkhJGu1VjfWeD/s1600/Stage07.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto; text-align: center;"><img border="0" height="480" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj31mum9o-BxlgEq0_iP1Y5CDv1qk4Rb7X8YNn44V3rKVbCebLxe0uNZlksyeLN3ZnWGJZsJdiA9xGIJ2gfmFUdY-cpE4BNvZbv2pWxuEtukK_PlBsKSR9UIBJF4V11nmymkhJGu1VjfWeD/s640/Stage07.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">each, 11"x7.5", acrylic paint, printmaking ink on stonehenge white paper, 2013</td></tr>
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You can view detailed images of all the prints at <b><a href="http://etsy.me/1aA0BwG">Etsy</a> </b>or<b> <a href="http://jennifersanchez.info/2013-monoprints/">my site</a>.</b><br />
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So what's a monoprint anyway?<br />
I know I get confused. For this series, it means that 1 printmaking block in 1 color is used to create 10 unique prints. The stamp's design is based on the pattern of <b><a href="http://umfablog.wordpress.com/2013/05/21/textile-tuesday-docent-and-volunteer-edition/">Navajo saddle blankets.</a></b><br />
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How are they unique if they use the same printing block?<br />
I use the block differently each time. Laying it down on the paper in different directions, many times. The color in each print is unique, I've brushed it on by hand. And there's lots of messiness and bleed throughs.<br />
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What makes them a series?<br />
The 10 prints use a specific visual language. And because I say so.<br />
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Check out the transformation below.<br />
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Each print is 11" x 7.5" on stonehenge white paper. Here they are taped up and ready to roll! I decided to cut the space in half. The top half will be an imperfect Liberace bling. The bottom will be a bold graphic groovy.<br />
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Here's the first stage, painting the bottom half with a spectrum of color, vertical and horizontal.</div>
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Now I print them with the block. Above is a print, ink, inked piece of plexi, brayer and block. I spread the ink on the plexi with the brayer, then run the breyer over the block. <b><a href="http://jennifersanchezart.blogspot.com/2013/04/stamps-works-in-progress.html">This blog post </a></b>breaks down the process a bit more.<br />
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<tr><td class="tr-caption" style="text-align: center;">Detail of the printing block. The block is an eraser like texture, E-Z Cut brand.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">What the block looks like inked up.</td></tr>
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I lay the block on a print and run another plexi brayer over it for good ink coverage, hopefully. It's never consistent.</div>
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Inking up the block again to continue printing on the bottom half.</div>
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Above and below are printed pieces with the top half painted either a complimentary or discordant color.</div>
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Above and below, the first layer of metallic acrylic paint.</div>
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And a second and third layer for others. The metallic tops won't be opague, they're a bit off and mottled. The color underneath comes through within its' square and along the taped edges.<br />
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The final pieces untaped and drying.</div>
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And of course at some point "I got inconfusion" and painted the wrong side of the tape on 1 print. There are only 10 prints in the series, but #11 is the happy accident that has a bigger silver top and it's kinda my favorite.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpgC84g63lhhInlg39cAV2Q9Q2LRLPlEVlZyi05emAJi7ti24PvCQg7NHBvkACz_JstphQpgFE69Cn_ajaNc4hqfd16WeHlqXQem4udBQr_3s7SjIe4UIT2I8SgolbNeWnsEFk_XATkpV-/s1600/NY131411.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpgC84g63lhhInlg39cAV2Q9Q2LRLPlEVlZyi05emAJi7ti24PvCQg7NHBvkACz_JstphQpgFE69Cn_ajaNc4hqfd16WeHlqXQem4udBQr_3s7SjIe4UIT2I8SgolbNeWnsEFk_XATkpV-/s1600/NY131411.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">NY131411, 11"x7.5", acrylic paint, printmaking ink on stonehenge white, 2013</td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com1tag:blogger.com,1999:blog-8318235120819784472.post-16272242539741221472013-07-08T17:19:00.000-04:002013-07-08T17:19:03.502-04:00<b><a href="http://www.metmuseum.org/exhibitions/listings/2013/photography-and-the-american-civil-war">Photography & the American Civil War at The Met</a></b><br />
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More beauty and brutality at The Met.<br />
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.metmuseum.org/Collections/search-the-collections/190056428"><img border="0" src="http://images.metmuseum.org/CRDImages/ph/web-large/DP265089.jpg" /></a></span></td></tr>
<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.metmuseum.org/Collections/search-the-collections/190056428">Sojourner Truth, "I Sell the Shadow to Support the Substance", Unknown, 1864, Albumen silver print from glass negative, 3 3/8 × 2 1/8 in</a></td></tr>
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<b><a href="http://www.metmuseum.org/Collections/search-the-collections/190056428">from The Met's site;</a></b><br />
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<blockquote class="tr_bq">
Born Isabella Baumfree to a family of slaves in Ulster County, New York, Sojourner Truth sits for one of the war’s most iconic portraits in an anonymous photographer’s studio, likely in Detroit. The sixty-seven-year-old abolitionist, who never learned to read or write, pauses from her knitting and looks pensively at the camera. She was not only an antislavery activist and colleague of Frederick Douglass but also a memoirist and committed feminist, who shows herself engaged in the dignity of women’s work. More than most sitters, Sojourner Truth is both the actor in the picture’s drama and its author, and she used the card mount to promote and raise money for her many causes: I Sell the Shadow to Support the Substance. SOJOURNER TRUTH.<br />The imprint on the verso features the sitter’s statement in bright red ink as well as a Michigan 1864 copyright in her name. By owning control of her image, her “shadow,” Sojourner Truth could sell it. In so doing she became one of the era’s most progressive advocates for slaves and freedmen after Emancipation, for women’s suffrage, and for the medium of photography. At a human-rights convention, Sojourner Truth commented that she “used to be sold for other people’s benefit, but now she sold herself for her own.”</blockquote>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b9400f95d-89a4-4920-a05e-46ee3cedc9c0%7d&oid=190036386&ft=*&fe=1"><img border="0" src="http://images.metmuseum.org/CRDImages/ph/web-large/DP274833.jpg" /></a></span></td></tr>
<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.metmuseum.org/exhibitions/view?exhibitionId=%7b9400f95d-89a4-4920-a05e-46ee3cedc9c0%7d&oid=190036386&ft=*&fe=1">Slave Pen, Alexandria, Virginia, Andrew Joseph Russell,1863, Albumen silver print from glass negative, 10 1/16 x 14 3/8 in</a></td></tr>
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This view of a slave pen in Alexandria guarded, ironically, by Union officers shows Russell at his most insightful; the pen had been converted by the Union Army into a prison for captured Confederate soldiers. Between 1830 and 1836, at the height of the American cotton market, the District of Columbia, which at that time included Alexandria, Virginia, was considered the seat of the slave trade. The most infamous and successful firm in the capital was Franklin & Armfield, whose slave pen is shown here under a later owner's name. Three to four hundred slaves were regularly kept on the premises in large, heavily locked cells for sale to Southern plantation owners. According to a note by Alexander Gardner, who published a similar view, "Before the war, a child three years old, would sell in Alexandria, for about fifty dollars, and an able-bodied man at from one thousand to eighteen hundred dollars. A woman would bring from five hundred to fifteen hundred dollars, according to her age and personal attractions." </blockquote>
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<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.metmuseum.org/Collections/search-the-collections/190019716">Ruins of Gallego Flour Mills, Richmond, Alexander Gardner, 1865, Albumen silver prints from glass negatives, 6 7/16 x 14 1/2 in</a></td></tr>
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<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.metmuseum.org/Collections/search-the-collections/190039020">A Harvest of Death, Gettysburg, Pennsylvania, Photographer; Timothy H. O'Sullivan, Printer; Alexander Gardner , :July 1863, Albumen silver print from glass negative, 7 × 8 7/8 in</a></td></tr>
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<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.metmuseum.org/Collections/search-the-collections/190036392">Ordnance Wharf, City Point, Virginia, Thomas C. Roche, 1865, Albumen silver print from glass negative, 8 9/16 x 10 1/16 in</a></td></tr>
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<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.metmuseum.org/Collections/search-the-collections/190040136">Contrabands Aboard U.S. Ship Vermont, Port Royal, South Carolina, Henry P. Moore, 1861, Albumen silver print from glass negative, 5 1/16 × 8 3/16 in</a></td></tr>
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<b><a href="http://henry%20p.%20moore/">from The Met's site;</a></b><br />
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Moore focused his camera on the changed lives of African Americans in the aftermath of the Union victory (navy and army) at the Battle of Port Royal, South Carolina, in November 1861. With the departure of their plantation owners, coastal plantation workers were no longer slaves but, before the Emancipation Proclamation, not yet free. They were considered "contrabands," a term coined by Union General Benjamin Butler to describe their status as conscripted former slaves who had escaped the Confederacy. The U.S.S. Vermont served in the South Atlantic Blockading Squadron as a store and receiving ship, a hospital, and here as the backdrop for one of the war’s most revealing group portraits.</blockquote>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.metmuseum.org/Collections/search-the-collections/190016663"><img border="0" src="http://images.metmuseum.org/CRDImages/ph/web-large/DP237335.jpg" /></a></span></td></tr>
<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.metmuseum.org/Collections/search-the-collections/190016663">Brigadier General Gustavus A. DeRussy and Staff on Steps of Arlington House, Arlington, Virginia, Alexander Gardner, May 1864, Albumen silver print from glass negative,6 3/4 x 9 1/16in</a></td></tr>
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from The Met's site;<br />
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Here, Union soldiers pose for the camera in deliberately casual attitudes on the front steps of the Confederate commander Robert E. Lee's mansion, which was confiscated by the government in 1861. Laying blame-literally at Lee's doorstep-for the vast suffering of the Civil War. The Union Army in 1864 began to bury its dead on Lee's property in what later became Arlington National Cemetery.</blockquote>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.metmuseum.org/Collections/search-the-collections/190019788"><img border="0" src="http://images.metmuseum.org/CRDImages/ph/web-large/DP274779.jpg" /></a></span></td></tr>
<tr><td class="tr-caption"><br /><br /><br /><br /><a href="http://www.metmuseum.org/Collections/search-the-collections/190019788">Confederate Method of Destroying Rail Roads at McCloud Mill, Virginia, Andrew Joseph Russell, 1863, Albumen silver print from glass negative, 6 3/8 × 7 11/16 in</a></td></tr>
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<tr><td><a href="http://www.blogger.com/"><span id="goog_1471819834"></span><img border="0" src="http://images.metmuseum.org/CRDImages/ph/web-large/DP274794.jpg" /><br /><br /><br /><br />Private John Parkhurst, Company E, Second New York Heavy Artillery, Reed Brockway Bontecou, 1865, Albumen silver print from glass negative, 7 7/16 × 5 3/16 in<span id="goog_1471819835"></span></a></td></tr>
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<b><a href="http://www.metmuseum.org/Collections/search-the-collections/190018553">from The Met's site;</a></b><br />
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Union Private Parkhurst received a gunshot wound to the head at Farmville, Virginia, in the final weeks of the Civil War. The ball fractured the upper portion of the soldier’s front bone, and he was removed to Harewood Hospital. Dr. Bontecou’s printed notes on the reverse of his card-mounted teaching photograph reveal that Parkhurst was fifty years old and that after treatment at the hospital his health progressed favorably. “Doing well,” Bontecou observed. The portrait is a good example of how at times the surgeon used enlargements to bring attention to a specific wound and its treatment. In this case, studying his patient from above, he also created a sublime document of medical recovery and human introspection.</blockquote>
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...in two years President Lincoln had 187 general hospitals built, providing 118,000 beds. The majority were in the District of Columbia, including Armory Square Hospital seen here. The view shows Ward F and appears to document an anniversary of the facility, complete with flags, evergreens, and hanging flower baskets. The hospital was constructed on land adjacent to the Smithsonian Institution, approximately where the National Air and Space Museum stands today.</blockquote>
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<br />Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-16917068655302603842013-06-28T18:44:00.001-04:002013-06-28T18:44:25.420-04:00A Boxer & Ken Price at The Met<div class="separator" style="clear: both; text-align: center;">
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<tr><td style="text-align: center;"><a href="http://metmuseum.org/exhibitions/listings/2013/the-boxer" target="_blank"><img border="0" height="640" src="http://media.northjersey.com/images/0611F_boxer30p.jpg" style="margin-left: auto; margin-right: auto;" width="423" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><a href="http://metmuseum.org/exhibitions/listings/2013/the-boxer" target="_blank">Boxer at Rest, Greek, Hellenistic period, late 4th–2nd century B.C. Bronze inlaid with copper</a></td></tr>
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beautiful and a bit grotesque.<br />from the Met's site,<div class="separator" style="clear: both; text-align: center;">
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The bronze statue Boxer at Rest was excavated in Rome in 1885 on the south slope of the Quirinal Hill near the ancient Baths of Constantine, where it is thought to have been displayed. The statue was intentionally buried in late antiquity, possibly to preserve it against the barbarian invasions that ravaged Rome in the fifth century A.D. The broad-shouldered, lanky pugilist is depicted just after a match sitting on a boulder to rest after the unnerving tension of the fight. Something catches his eye and makes him turn his head: perhaps the applause of the spectators or the entrance of his next opponent?</blockquote>
read more <b><a href="http://metmuseum.org/exhibitions/listings/2013/the-boxer">here.</a></b><br /><br /><br /><br /><br /><br /><br /><div>
<b><a href="http://metmuseum.org/exhibitions/listings/2013/ken-price">Ken Price Sculpture, A Retrospective</a></b></div>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><a href="http://aqqindex.com/post/42363420369/ken-price-glass-off-2000">Ken Price, Glass-Off, 2000</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://blogs.artinfo.com/modernartnotes/2012/09/the-modern-art-notes-podcast-ken-price/"><img border="0" src="http://blogs.artinfo.com/modernartnotes/files/2012/09/KenPriceReltny1983.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br /><a href="http://blogs.artinfo.com/modernartnotes/2012/09/the-modern-art-notes-podcast-ken-price/">Reltny, 1983</a></td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-66156327591957463102013-06-22T17:42:00.001-04:002013-06-22T17:42:52.328-04:00Opening Thurs Night, "Folks I Like", NYC<a href="https://www.facebook.com/events/379694518803556/" style="font-weight: bold;" target="_blank">Thurs June 27, 5:30-7 at Dixon Place</a>, 161A Chrystie Street, NYC<br />
I'm in a group show "Folks I Like", curated by <b><a href="http://www.robertlucy.com/" target="_blank">Bobby Lucy</a></b>. Includes;<b> </b><a data-hovercard="/ajax/hovercard/user.php?id=100000936452311&extragetparams=%7B%22directed_target_id%22%3A0%7D" href="https://www.facebook.com/martyn.thompson.12?directed_target_id=0" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px; text-decoration: none;">Martyn Thompson</a><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">, </span><a data-hovercard="/ajax/hovercard/user.php?id=762729277&extragetparams=%7B%22directed_target_id%22%3A0%7D" href="https://www.facebook.com/Hornbuckled?directed_target_id=0" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px; text-decoration: none;">Dove Drury-Hornbuckle</a><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">, </span><a data-hovercard="/ajax/hovercard/user.php?id=617999629&extragetparams=%7B%22directed_target_id%22%3A0%7D" href="https://www.facebook.com/larrykrone?directed_target_id=0" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px; text-decoration: none;">Larry Krone</a><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">, </span><a data-hovercard="/ajax/hovercard/user.php?id=797372578&extragetparams=%7B%22directed_target_id%22%3A0%7D" href="https://www.facebook.com/natasha.gornik.9?directed_target_id=0" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px; text-decoration: none;">Natasha Gornik</a><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">, </span><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">and </span><a aria-haspopup="true" aria-owns="js_21" data-hovercard="/ajax/hovercard/user.php?id=1012727512&extragetparams=%7B%22directed_target_id%22%3A0%7D" href="https://www.facebook.com/adam.sipe?directed_target_id=0" id="js_22" style="background-color: white; color: #3b5998; cursor: pointer; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px; text-decoration: none;">Adam Sipe</a><span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">. Come by and say Hi!</span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;">Below are some quick shots I took of the 4 framed pieces in the show, followed by 2 more panel pieces.<br />I think my paintings look best in a minimal frame. Here, I've used metal frames and mounted the paintings to watercolor paper with no matte.</span><br />
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<span style="background-color: white; color: #333333; font-family: 'lucida grande', tahoma, verdana, arial, sans-serif; font-size: 13px; line-height: 16px;"><a href="http://www.blogger.com/"></a><span id="goog_1484549343"></span><span id="goog_1484549344"></span><br /></span>Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-58340130152897718452013-06-10T17:06:00.001-04:002013-06-10T17:06:25.773-04:00Art from my FeedlyI follow several art blogs, below is some of the best stuff I've seen lately. Most of it is from the arty blogs; <b><a href="http://contemporaryartdaily.tumblr.com/" target="_blank">Contemporary Art Daily</a>, <a href="http://blogaart.blogspot.com/" target="_blank">A/ART</a>, <a href="http://www.paintersbread.com/" target="_blank">Painter's Bread</a>, </b>and <a href="http://ffffound.com/" style="font-weight: bold;" target="_blank">FFFFOUND!</a> Images and captions are links.<br />
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://contemporaryartdaily.tumblr.com/post/50985648447/dan-walsh-at-elvira-gonzalez" target="_blank"><img border="0" src="http://www.contemporaryartdaily.com/wp-content/uploads/2013/04/Walsh-E-014A-600x600.jpg" /></a></span></td></tr>
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<a href="http://contemporaryartdaily.tumblr.com/post/50985648447/dan-walsh-at-elvira-gonzalez" target="_blank">Dan Walsh</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.contemporaryartdaily.com/2010/10/cut-at-evergreene/img_2864/" target="_blank"><img border="0" src="http://www.contemporaryartdaily.com/wp-content/uploads/2010/10/IMG_2864-466x700.jpg" /></a></span></td></tr>
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<a href="http://www.contemporaryartdaily.com/2010/10/cut-at-evergreene/img_2864/" target="_blank">Philippe Decrauzat</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://blogaart.blogspot.com/2013/04/justyn-hegreberg.html" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4PuNjrSgVV_u2RM1Ueybo0Q6Bmf6QDgR_2tT6cBMGBo7i3MDhkSc-mAiO-8aeMy9EaZv3LveVURBoxGJRfcO2j87GRNmsBO7BVURtlF6twRk-oizf83npnpV3LO0w4iOY56FkiEk_fv3q/s1600/Justyn+Hegreberg+1.jpg" /></a></span></td></tr>
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Justyn Hegreberg</td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://blogaart.blogspot.com/2013/05/clinton-king.html" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgl73d98E82NCbvzVZxbQx2cGL2GAcljVigUEDt4IN-2vvuHYHoyaE-cwYgnwOahEYOQQLuKM7Ecofy3r14lOH_Ah1uyiQSnQZI-ryKGnxEOiARJQMjeXx6CVqGf40vulj1LzaVn4k-mZ1p/s1600/Clinton+King.jpg" /></a></span></td></tr>
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<a href="http://blogaart.blogspot.com/2013/05/clinton-king.html" target="_blank">Clinton King</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.paintersbread.com/2013/05/matt-connors-at-herald-st.html" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgITBuLL5_dg7_nPrZOJMb43eC2EZkH94ubczcy5UfUquWBaXbCdhhKQWRcWF9Q548FOUsUzAuHHN0n14_oS1n8HS9pk6X24I-OS4gUno-nACaafm1twGj0fFGXX_pCI4sfgYoXq3hP2lKD/s1600/heraldst2.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><a href="http://www.paintersbread.com/2013/05/matt-connors-at-herald-st.html" target="_blank">Matt Connors, A Bit Like Je T'aime, 2013, acrylic and pencil on canvas, 85 x 65 in</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://blogaart.blogspot.com/2013/05/maija-luutonen.html" target="_blank"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEidKoILa6-T2gO9BcWyrg0RDwVeCTI6A4nygjc-EedXzKhZgF6ZWo5PI1h87K5xFTFtMck_yPUwigMIaRrD97-f40iKVAjAw10xxcbBiBZirzokUZQYLRK1q8V_ySD1r-pSiTIG98eyiTGN/s1600/MAIJA+LUUTONEN.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><a href="http://blogaart.blogspot.com/2013/05/maija-luutonen.html" target="_blank">Maija Luutonen</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://www.paintersbread.com/2013/05/john-phillip-abbott.html" target="_blank"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhkkmYEGUBuiJOUhmiUBB_Gxyjpca0n29wZiOLeByvMUlj5Ep1dvwRnoTK5oYlSJ8Pd2nkCEBZvvuDgtNIOt5n0l8WCh72H5_66vRzT0EpBbN_JpJQG2Yhr0oLroiAkNEr8gB4Tvb5h6TKd/s640/johnphillipabbott3.jpg" width="535" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><a href="http://www.paintersbread.com/2013/05/john-phillip-abbott.html" target="_blank">John Phillip Abbott, Nevada, 2013, acrylic and spray paint on canvas, 20 x 16 inches</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://hyperallergic.com/68612/these-computer-microchip-drawings-are-amazingly-intricate-abstractions/?utm_source=feedly&utm_medium=feed&utm_campaign=Feed%3A+hyperallergic+%28Hyperallergic%29" target="_blank"><img border="0" src="http://hyperallergic.wpengine.netdna-cdn.com/wp-content/uploads/2013/04/510-1990-1a.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><a href="http://hyperallergic.com/68612/these-computer-microchip-drawings-are-amazingly-intricate-abstractions/?utm_source=feedly&utm_medium=feed&utm_campaign=Feed%3A+hyperallergic+%28Hyperallergic%29" target="_blank">AT&T Bell Laboratories, Detail of Microprocessor (CRISP) Diagram (1986), ink on paper, 36 1/4 x 49 1/2″</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br /><a href="http://blogaart.blogspot.com/2013/03/clare-grill.html" target="_blank">Clare Grill</a></td></tr>
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<tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="http://contemporaryartdaily.tumblr.com/post/43535946533/svenja-deininger-at-kunsthalle-kerms" target="_blank"><img border="0" src="http://24.media.tumblr.com/c5b8e8b25cd56764742398b20f16d380/tumblr_mihk007Ax21qcphy8o1_500.jpg" /></a></span></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><a href="http://contemporaryartdaily.tumblr.com/post/43535946533/svenja-deininger-at-kunsthalle-kerms" target="_blank">Svenja Deininger</a></td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-65576323061490609772013-05-20T19:15:00.000-04:002013-05-20T19:15:03.273-04:00LES Highlights<div class="separator" style="clear: both; text-align: center;">
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<b><a href="http://froschportmann.com/SG.html" target="_blank">Steve Greene at Frosch & Portmann</a></b></div>
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I don't think any of these images were in the show (the gallery website isn't updated, huh what?) but they're still damn fine paintings.<br />
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<tr><td class="tr-caption"><br /><br /><br />Magnetized Pulleys, 2012, Ink, gesso, collage on paper, 13 1/4 x 11 inches</td></tr>
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<tr><td class="tr-caption"><br /><br /><br />Test, 2011, Ink, gesso, collage on paper, 131/2 x 11 inches<br /></td></tr>
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<tr><td class="tr-caption"><br /><br /><br />Security Stain, 2011, Ink, gesso, collage on paper, 23 1/4 x 18 inches</td></tr>
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<b><a href="http://www.jonathanvandyke.com/index.php?/projects/the-painter-of-the-hole/" target="_blank">Jonathan VanDyke at Scaramouche Gallery</a></b></div>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br />Barbizon (detail), S.Delauney 1925 Pattern, 2013, 78" x 52" </td></tr>
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<tr><td style="text-align: center;"><a href="http://www.jonathanvandyke.com/files/gimgs/31_jvdinvertdetail1web.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="438" src="http://www.jonathanvandyke.com/files/gimgs/31_jvdinvertdetail1web.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><br /><br /><br />Invert (detail), points of pine pattern, 2013, 66" x 90"</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">installation shot</td></tr>
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<b><a href="http://www.harrislieberman.com/exhibition/4947/MATT-SAUNDERS%3A-CENTURY-ROLLS" target="_blank">MATT SAUNDERS at Harris Lieberman Gallery</a></b></div>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br />Film Still, Century Rolls, 2012</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br />Film Still, Century Rolls, 2012 </td></tr>
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<b><a href="http://www.joesheftelgallery.com/paint-hotel/" target="_blank">Paint Hotel at Joe Sheftel Gallery</a></b></div>
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<tr><td style="text-align: center;"><a href="http://www.joesheftelgallery.com/12/wp-content/uploads/BALTZ-Park-City-61-1980_med1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="434" src="http://www.joesheftelgallery.com/12/wp-content/uploads/BALTZ-Park-City-61-1980_med1.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: 10px;"><br /><br /></span><span style="font-size: 10px;">Lewis Baltz,Park City #61, 1980, Gelatin silver print, 8 x 10 inches</span></td></tr>
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<tr><td class="tr-caption"><br /><br />Lewis Baltz, Park City #35, 1980, Gelatin silver print, 8 x 10 inches </td></tr>
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<b><a href="http://www.racheluffnergallery.com/future/bob-zoell--wyatt-kahn/" target="_blank">Bob Zoell at Rachel Uffner</a></b></div>
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<tr><td style="text-align: center;"><a href="http://www.racheluffnergallery.com/files/gimgs/184_bz-5-ptg.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.racheluffnergallery.com/files/gimgs/184_bz-5-ptg.jpg" /></a></td></tr>
<tr><td class="tr-caption"><br /><br />"No title," c. 1998, enamel on metal, 9 3/4 x 7 1/2 x 3/4 inches<br /></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br />installation view</td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-51908167406342376802013-05-18T21:36:00.000-04:002013-05-19T16:05:10.142-04:00SOLID GOLD MomentThese are all works in progress at different stages. I bought some metallic paints and fell in love with their beautiful and rich color. It's hard to capture the colors' brilliance and depth. Several of the paintings also have Xerox transfers on them.<br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPaymcJzsFQ3wlKc2h-0lgh8MpEFJv6I7GwdLCjmiY0e4aoDP8Hx0jmHwGBI4ZuXNwHzFbQQq6gt7bBVF8bQthraKIBaTlkaMgCQOWY29Ru5FuiSXB6aawLWDNaO2NzHHu3-JukwxVeqNQ/s1600/SOLIDGOLDmay18-001.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPaymcJzsFQ3wlKc2h-0lgh8MpEFJv6I7GwdLCjmiY0e4aoDP8Hx0jmHwGBI4ZuXNwHzFbQQq6gt7bBVF8bQthraKIBaTlkaMgCQOWY29Ru5FuiSXB6aawLWDNaO2NzHHu3-JukwxVeqNQ/s640/SOLIDGOLDmay18-001.gif" width="496" /></a></td></tr>
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work in progress, 15" X 11", mixed media on paper; acrylic paint, xerox transfers, pencil, EZcut stamp</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpOIZEACsTHoeGakw21CPjuQOiXgvv4W6Ua4Z0wv8xyaavCrSBhXwlxAk3MCxAtAjRM-g7DVZFdmrklT083wYQE517jdX-qWSi88s8-WoG1IOv9256VjTrOOPTGo9NRZbkbQkwPma81OTB/s1600/SOLIDGOLDmay18-002.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpOIZEACsTHoeGakw21CPjuQOiXgvv4W6Ua4Z0wv8xyaavCrSBhXwlxAk3MCxAtAjRM-g7DVZFdmrklT083wYQE517jdX-qWSi88s8-WoG1IOv9256VjTrOOPTGo9NRZbkbQkwPma81OTB/s640/SOLIDGOLDmay18-002.gif" width="488" /></a></td></tr>
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work in progress, 15" X 11", mixed media on paper; acrylic paint, xerox transfers, pencil</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6ohcvcYLzzK2vnSkSopupjCsS_HcMEPlLFiVxIujuRgCZmWBGTqwnD130op3Guxj04gHWew5GBY9dNnRS20GxJcetg4FMDjxfc-VJEXf8sKcfB51TEXLkyykCTMHErguKpxKWvWO37hm2/s1600/SOLIDGOLDmay18-003.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6ohcvcYLzzK2vnSkSopupjCsS_HcMEPlLFiVxIujuRgCZmWBGTqwnD130op3Guxj04gHWew5GBY9dNnRS20GxJcetg4FMDjxfc-VJEXf8sKcfB51TEXLkyykCTMHErguKpxKWvWO37hm2/s640/SOLIDGOLDmay18-003.gif" width="480" /></a></td></tr>
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work in progress, 15" X 11", mixed media on paper; acrylic paint, xerox transfers, pencil</td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqz2JGMxrxZzD6L2W8TfV6n1EuECMhtRtdcY3ZbdvLGNMtUJemCNfyzrhXttKt6_bgrgjWxc8UvpciHVtassLOSCtpKLO_mvsF_N1beAd17ARCVUC5s52Ex_e9klp5j05kn9Ims0xddlP2/s1600/SOLIDGOLDmay18-004.gif" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqz2JGMxrxZzD6L2W8TfV6n1EuECMhtRtdcY3ZbdvLGNMtUJemCNfyzrhXttKt6_bgrgjWxc8UvpciHVtassLOSCtpKLO_mvsF_N1beAd17ARCVUC5s52Ex_e9klp5j05kn9Ims0xddlP2/s640/SOLIDGOLDmay18-004.gif" width="480" /></a></td></tr>
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work in progress, 11" X 7.5", mixed media on paper; acrylic paint, xerox transfers, pencil, EZcut stamp</td></tr>
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work in progress, 16" X12", mixed media on panel; acrylic paint, xerox transfers, pencil</td></tr>
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work in progress, 10" X 8", mixed media on panel; acrylic paint, xerox transfers, pencil, EZcut stamp</td></tr>
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work in progress, 10" X 8", mixed media on panel; acrylic paint, xerox transfers, pencil, EZcut stamp</td></tr>
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<br />Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-25312037628062041012013-05-16T16:13:00.001-04:002013-05-16T16:13:59.220-04:00Art on Etsycaptions are links to items on Etsy. enjoy!<br /><br /><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://img2.etsystatic.com/000/0/5728017/il_570xN.350487638.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="https://img2.etsystatic.com/000/0/5728017/il_570xN.350487638.jpg" /></a></td></tr>
<tr><td class="tr-caption"><br /><br /><a href="https://www.etsy.com/listing/102778207/mixed-media-metal-and-clay-automaton?ref=shop_home_active" target="_blank">Double Fox Studio, Mixed Media Metal and Clay Automaton Baby Doll Boy - Lloyd</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="https://www.etsy.com/listing/104455346/3-d-art-object-portrait-with-mouse-mask?ref=shop_home_active" target="_blank">Double Fox Studio, 3D Art Object Portrait With Mouse Mask , Clay Wall Decoration - " I Would Do anything for You "</a></td></tr>
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<tr><td class="tr-caption"><br /><br /><a href="https://www.etsy.com/listing/129198891/linen-dayglow-throw-quilt?ref=shop_home_active" target="_blank">CarrieStrine, Linen Dayglow Throw Quilt</a></td></tr>
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<tr><td class="tr-caption"><br /><br /><a href="https://www.etsy.com/listing/63469299/handmade-luxury-moving-blanket-throw?ref=usr_faveitems" target="_blank">CarrieStrine, Handmade Luxury Moving Blanket Throw</a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="text-align: left;"><span style="font-family: Arial, Helvetica, sans-serif;"><br /><br /><br /><a href="https://www.etsy.com/listing/95229918/etching-print-abstract-art-housewarming?ref=shop_home_active" target="_blank"><span style="font-size: 11.818181991577148px; line-height: 15.994318008422852px;">Elvia Perrin, </span><span style="font-size: 12px; line-height: 16px;">Retrace, multi-plate color Intaglio and is a limited edition.</span></a></span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br />Elvia Perrin, Terrain 99, multi-plate color Intaglio etching Print</td></tr>
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<tr><td class="tr-caption"><br /><br /><a href="https://www.etsy.com/listing/124403653/waves-zine?ref=usr_faveitems" target="_blank">Brendan Monroe, Waves : Zine, 8 x 5.5 inches, Xerox printed, Staple bound, Edition of 150.</a><br /></td></tr>
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<tr><td class="tr-caption"><br /><br /><a href="https://www.etsy.com/listing/99436976/desert-collage-8x10-print-modern-style?ref=usr_faveitems" target="_blank">Michelle Tavares, Desert Collage, 8"x10" Print</a><br /></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><a href="https://www.etsy.com/listing/89122285/modern-8-x-8-print-from-my-original?ref=shop_home_feat" target="_blank">Michelle Tavares, Deep Space, 8" x 8", Print </a></td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-65956995177362727092013-05-13T21:35:00.000-04:002013-05-16T15:40:00.467-04:00LES Highlights<b><a href="http://www.thierrygoldberg.com/the_varieties_of_religious_experience_images/" target="_blank">Dave McDermott at Thierry Goldberg Gallery</a></b><br />
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The Purgatorial Moment (with Piano), 2013, oil, canvas, wax, 23k gold, yarn on panel, 78 x 60 inches</td></tr>
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Dave McDermott, The Sculptor (2012), Collage with book pages, 25.4 x 19cm</td></tr>
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Woman (Comic), 2013, collage with magazine pages, 11 1/8 x 8 1/4 inches</td></tr>
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<b><a href="http://hortongallery.com/exhibition/168/paint/works" target="_blank">Trudy Benson at Horton Gallery</a></b><br />
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Interior with X, 2013, Acrylic, enamel, spray paint & oil on canvas, 66x66"</td></tr>
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<b><a href="http://www.mckenziefineart.com/exhib/voisine2013exhb.html" target="_blank">Don Voisine at McKenzie Fine Art</a></b><br />
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Tumble, 2011-12, Oil on wood panel, 60 x 32 inches</td></tr>
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Rook, 2013, Oil on wood panel, 27 x 17 inches</td></tr>
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Heed, 2012, Oil on wood panel, 28 x 22 inches</td></tr>
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<b><a href="http://www.lynchtham.com/current.html" target="_blank">Inaugural Exhibition at Lynch Tham</a></b><br />
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Tiong Ang, Double Celebration (Portrait of Ann Miller) acrylic on canvas, veil, , 23 5/8 x 15 ¾ x 2 inches<br />
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-20062754919111096012013-05-04T18:20:00.002-04:002013-05-04T18:20:33.776-04:00Chelsea Highlights<b><a href="http://www.harrislieberman.com/exhibition/4461/Bernd-Ribbeck" target="_blank">Bernd-Ribbeck at Harris Lieberman</a></b><div>
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<tr><td class="tr-caption"><br /><br />Untitled, 2013<br />Acrylic and pigment marker on mdf, 15.75 x 11.81 inches</td></tr>
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<tr><td class="tr-caption"><br /><br />Untitled, 2013<br />Acrylic and pigment marker on mdf, 15.75 x 11.81 inches</td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br />Untitled, 2013<br />Acrylic and pigment marker on mdf, 15.75 x 11.81 inches</td></tr>
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<b><a href="http://www.pavelzoubok.com/node/mac-premo-relatively-nothing-to-see/2214" target="_blank">MAC PREMO at Pavel Zoubok</a></b><div>
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<tr><td style="text-align: center;"><a href="http://www.pavelzoubok.com/sites/pavelzoubok/files/webmaster/image/Mac%20Premo/Extra%20Large/mp-theresachickeninthekitchen-2013.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.pavelzoubok.com/sites/pavelzoubok/files/webmaster/image/Mac%20Premo/Extra%20Large/mp-theresachickeninthekitchen-2013.jpg" /></a></td></tr>
<tr><td class="tr-caption"><br /><br />There's A Chicken In The Kitchen, 2013<br />Mixed-media assemblage , 6.5 x 10.5 x 2.5 inches</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.pavelzoubok.com/sites/pavelzoubok/files/webmaster/image/Mac%20Premo/Extra%20Large/mp-domasylum.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.pavelzoubok.com/sites/pavelzoubok/files/webmaster/image/Mac%20Premo/Extra%20Large/mp-domasylum.jpg" /></a></td></tr>
<tr><td class="tr-caption"><br /><br />Domasylum , 2013<br />Mixed-media assemblage , 7 x 5 x 2 inches</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.pavelzoubok.com/sites/pavelzoubok/files/webmaster/image/Mac%20Premo/Extra%20Large/premo-nooneundertandsthedepthsofmyaffliction2012.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.pavelzoubok.com/sites/pavelzoubok/files/webmaster/image/Mac%20Premo/Extra%20Large/premo-nooneundertandsthedepthsofmyaffliction2012.jpg" /></a></td></tr>
<tr><td class="tr-caption"><br /><br />No One Understands The Depth of My Affliction, 2012<br />Mixed-media assemblage , 6 1/2 x 5 1/2 x 2 inches</td></tr>
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<b><a href="http://www.galerielelong.com/exhibition_works/1727" target="_blank">Group Show, Edge Order Rupture at Galerie Lelong</a></b></div>
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<tr><td style="text-align: center;"><a href="http://www.galerielelong.com/sites/default/files/imagecache/work_large/gl9101_-_blue_grey.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="605" src="http://www.galerielelong.com/sites/default/files/imagecache/work_large/gl9101_-_blue_grey.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption"><br /><br />Sean Scully, Blue Grey, 1976, Acrylic and tape on canvas, 72 x 68 inches</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.galerielelong.com/sites/default/files/imagecache/work_large/gl_9033_-_untitled_suit_p11.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.galerielelong.com/sites/default/files/imagecache/work_large/gl_9033_-_untitled_suit_p11.jpg" width="322" /></a></td></tr>
<tr><td class="tr-caption"><br /><br />Kate Shepherd, Untitled Suit, P11, 2012, Cut and taped screen prints, 51 x 21.5 inches</td></tr>
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<tr><td class="tr-caption"><br /><br />Catherine Lee, Drawing 79.024.1, 1979, Graphite and pastel on paper, 13 x 14 inches</td></tr>
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<b><a href="http://www.leokoenig.com/exhibitions/688" target="_blank">Anoka Faruqee at Leo Konig</a></b></div>
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<tr><td class="tr-caption"><br /><br />2012P-55, 2012, Acrylic on linen on panel, 22 1/2 x 22 1/2 in</td></tr>
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<tr><td class="tr-caption"><br /><br />2013P-24, 2013, Acrylic on linen on panel, 22 1/2 x 22 1/2 in</td></tr>
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<tr><td class="tr-caption"><br /><br />2013P-22, 2013, Acrylic on linen on panel, 22 1/2 x 22 1/2 in</td></tr>
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<b><a href="http://www.brucesilverstein.com/artist/294/keith" target="_blank">Keith Smith at Bruce Silverstein</a></b></div>
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<tr><td class="tr-caption"><br /><br />Keith Smith, Bus, 1968, Gelatin silver print of 8mm film, mounted to board, printed c. 1968, 8 1/2 x 7 1/2 inches</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.brucesilverstein.com/photos/large_5176c6ccec902.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.brucesilverstein.com/photos/large_5176c6ccec902.jpg" width="500" /></a></td></tr>
<tr><td class="tr-caption"><span style="background-color: white; font-family: Arial, Helvetica, sans-serif; font-size: 11.818181991577148px; line-height: 11.988636016845703px; text-align: start;"><br /></span><br />Keith Smith, Untitled, 1966, 9 7/8 x 7 7/8 inches, Gelatin silver print of 8 mm film<br /></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><br /><br />Keith Smith, Photobooth, 1965, 8 x 1 5/8 inches, Gelatin silver print mounted to board</td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-42069196620426790062013-04-28T20:58:00.001-04:002013-04-28T20:58:28.468-04:00MoMA Highlights<div class="separator" style="clear: both; text-align: center;">
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<b><a href="http://www.moma.org/visit/calendar/exhibitions/1342" target="_blank">Abstract Generation: Now in Print</a></b><br />
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<tr><td class="tr-caption" style="text-align: center;"><br /><a href="http://www.moma.org/collection/artist.php?artist_id=39326">Philippe Decrauzat</a>, Untitled from D.T.A.B.T.W.H.A.H.E., 2010, One from a portfolio of four screenprints, three double-sided, 37 x 28 3/4" </td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><br /><a href="http://www.moma.org/collection/artist.php?artist_id=39326">Philippe Decrauzat</a>, Untitled from D.T.A.B.T.W.H.A.H.E., 2010, One from a portfolio of four screenprints, three double-sided, 37 x 28 3/4" </td></tr>
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<tr><td class="tr-caption"><br /><a href="http://www.moma.org/collection/artist.php?artist_id=39961">Tauba Auerbach</a>, Gem from [2,3], 2011, One from a boxed set of six die-cut folios, (open): 20 1/4 x 32 5/16 x 9 7/16" overall (closed): 20 1/4 x 16 5/16 x 3/8" </td></tr>
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<tr><td class="tr-caption"><br />Janice Kerbel, Cue (Act 3 #30), 2011. Silkscreen on paper</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.moma.org/interactives/exhibitions/2013/abstract_generation/wp-content/uploads/2013/04/292_2009_1_CCCR-299x400.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.moma.org/interactives/exhibitions/2013/abstract_generation/wp-content/uploads/2013/04/292_2009_1_CCCR-299x400.jpg" /></a></td></tr>
<tr><td class="tr-caption"><br /><br /><a href="http://www.moma.org/collection/artist.php?artist_id=31678">Cory Arcangel</a>, Monoprint 6, 2008, Screenprint on watermarked paper, 39 15/16 x 29 15/16" </td></tr>
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<b><a href="http://www.moma.org/visit/calendar/exhibitions/1318" target="_blank">Wait, Later This Will Be Nothing: Editions by Dieter Roth</a></b></div>
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<tr><td class="tr-caption"><br />Dieter Roth. children's book (kinderbuch). 1957</td></tr>
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<tr><td class="tr-caption" style="font-size: 12.727272033691406px;">Dieter Roth. Exhibition poster for Bewogen Beweging. 1961, </td><td class="tr-caption" style="font-size: 12.727272033691406px;">Screenprint with die-cut holes, 28 x 39 3/4"</td></tr>
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<tr><td class="tr-caption"><br /><br />Dieter Roth. Untitled from 6 Piccadillies. 1970, Double sided screenprint over offset lithograph, 19 1/8 x 27 3/16"</td></tr>
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<tr><td class="tr-caption"><br /><a href="http://www.moma.org/collection/artist.php?artist_id=5042">Dieter Roth</a>, Sealife from Popular Music 1 (Unterhaltungsmusik 1), 1966, published 1976, Etching from a portfolio of nine etchings (one with drypoint), and two dry points sheet, 30 7/8 x 22 3/8"</td></tr>
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<tr><td class="tr-caption"><br /><a href="http://www.moma.org/collection/artist.php?artist_id=5042">Dieter Roth</a>, Berlin 2 from German Cities (Deutsche Städte)Date:1970Medium:One from a series of five screenprints over offset lithographDimensions:composition: 22 5/8 x 31 7/16" (57.5 x 79.8 cm); sheet: 23 5/8 x 33"</td></tr>
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<b><a href="http://www.moma.org/visit/calendar/exhibitions/1362" target="_blank">Hand Signals: Digits, Fists, and Talons</a></b></div>
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<tr><td class="tr-caption"><br /><a href="http://www.moma.org/collection/artist.php?artist_id=6502">Tadanori Yokoo</a>, Ballad Dedicated To An Amputated Little Finger, 1967, Silkscreen, 40 1/2 x 28 1/2"</td></tr>
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<tr><td class="tr-caption"><br /><a href="http://www.moma.org/collection/artist.php?artist_id=372">Saul Bass</a>, The Man with the Golden Arm, 1955, Lithograph, 40 1/2 x 27"</td></tr>
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<tr><td class="tr-caption"><br />E. McKnight Kauffer. Power, The Nerve Centre of London's Underground. 1930. Lithograph, 40 5/8 x 24 3/4"</td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-66079395104909649332013-04-22T23:09:00.003-04:002013-04-22T23:21:31.884-04:00LES Highlights<div>
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<b><a href="http://www.lehmannmaupin.com/exhibitions/2013-03-21_ashley-bickerton-and-nicolas-pol/press_release/0/exhibition_work#1" target="_blank">Ashley Bickerton & Nicolas Pol at Lehmann Maupin</a></b><br />
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<tr><td style="text-align: center;"><a href="http://images.exhibit-e.com/www_lehmannmaupin_com/Pol_LM17456_Konnectom_Malfunction_hr0.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.exhibit-e.com/www_lehmannmaupin_com/Pol_LM17456_Konnectom_Malfunction_hr0.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">NICOLAS POL</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">Konnectom Malfunction, 2013</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">oil, silkscreen on canvas</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">82.68 x 90.55 inches</span></td></tr>
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<tr><td style="text-align: center;"><a href="http://images.exhibit-e.com/www_lehmannmaupin_com/Pol_LM17454_Belfry_Supper_and_Dance_hr0.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.exhibit-e.com/www_lehmannmaupin_com/Pol_LM17454_Belfry_Supper_and_Dance_hr0.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">NICOLAS POL</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">Belfry Supper and Dance, 2013</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">oil, acrylic, silkscreen on digital print</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">62.2 x 42.52 inches</span></td></tr>
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<tr><td style="text-align: center;"><a href="http://images.exhibit-e.com/www_lehmannmaupin_com/AB_LM16004_White_Head_I_hr8.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.exhibit-e.com/www_lehmannmaupin_com/AB_LM16004_White_Head_I_hr8.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">ASHLEY BICKERTON</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">White Head I, 2012</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">acrylic, digital print and plastic laminate on wood</span><br />
<span style="background-color: white; color: #333333; font-family: Interstate, 'Trebuchet MS', sans-serif; font-size: 10px; line-height: 16px;">93 x 80 x 7 inches</span></td></tr>
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<b><a href="http://www.miguelabreugallery.com/Lyall/2013_Indiscretion/01.htm" target="_blank">Scott Lyall at Miguel Abreu Gallery</a></b><br />
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<tr><td style="text-align: center;"><a href="http://www.miguelabreugallery.com/Lyall/2013_Indiscretion/Images/11_SLyall_Indiscretion_MAG_2013_Install_11_crop.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.miguelabreugallery.com/Lyall/2013_Indiscretion/Images/11_SLyall_Indiscretion_MAG_2013_Install_11_crop.jpg" /></a></td></tr>
<tr><td class="tr-caption">Scott Lyall at Miguel Abreu Gallery<br />
indiscretion, Installation view, 2013</td></tr>
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<b><a href="http://www.speronewestwater.com/cgi-bin/iowa/exhibits/record.html?record=458" target="_blank">Post-War Italian Art: Accardi, Dorazio, Fontana, Schifano</a></b><br />
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<tr><td style="text-align: center;"><a href="http://www.speronewestwater.com/images/cached/SW_WORKS.image.3017.w625.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.speronewestwater.com/images/cached/SW_WORKS.image.3017.w625.JPG" /></a></td></tr>
<tr><td class="tr-caption">Mario Schifano <br />
La stanza dei Disegni, 1962 <br />
enamel and charcoal on paper mounted on canvas <br />
63 x 70 7/8 inches</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.speronewestwater.com/images/data/SW_EXHIBITION_PHOTOS/image/000/001/1457-1.JPG" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="480" src="http://www.speronewestwater.com/images/data/SW_EXHIBITION_PHOTOS/image/000/001/1457-1.JPG" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Installation view</td></tr>
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<b><a href="http://kyanderson.com/cloud-weight-at-froschportmann-2013#/t/1" target="_blank">Ky Anderson at frosch&portmann</a></b><br />
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<br />Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-37971560432420226922013-04-17T20:30:00.000-04:002013-04-17T20:30:17.672-04:00Met Highlights<br />
<b><a href="http://metmuseum.org/exhibitions/listings/2013/wheelock-whitney" target="_blank">The Path of Nature: French Paintings from the Wheelock Whitney Collection, 1785–1850</a></b><br />
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ep/web-large/DP103065.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ep/web-large/DP103065.jpg" /></a></td></tr>
<tr><td class="tr-caption">The Giralda, Seville,Adrien Dauzats, 1836/37, il on paper, laid down on canvas, 8 1/8 x 11 7/8 in</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ep/web-large/DP169459.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ep/web-large/DP169459.jpg" /></a></td></tr>
<tr><td class="tr-caption">The Gate to the Temple of Luxor, Antoine-Xavier-Gabriel de Gazeau, comte de La Bouëre, 1836Medium:Oil on paper, laid down on canvas, 10 5/8 x 7 3/8 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ep/web-large/DP103066.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ep/web-large/DP103066.jpg" /></a></td></tr>
<tr><td class="tr-caption">Cloud Study (Early Evening), Simon Denis, ca. 1786–1806, Oil on paper, 8 7/8 x 10 1/8 in. </td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ep/web-large/DP103069.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ep/web-large/DP103069.jpg" /></a></td></tr>
<tr><td class="tr-caption">View of the Villa Torlonia, Frascati, at Dusk, Paul Flandrin, 1834–38, Oil on paper, laid down on paperDimensions:8 7/8 x 11 7/8 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ep/web-large/DP274955.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ep/web-large/DP274955.jpg" /></a></td></tr>
<tr><td class="tr-caption">Monks in the Cloister of the Church of Gesù e Maria, Rome<br />François-Marius Granet, 1808, Oil on canvas, 19 1/2 x 15 3/8 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ep/web-large/DP103071.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ep/web-large/DP103071.jpg" /></a></td></tr>
<tr><td class="tr-caption">Study of a Female Nude, Henri Lehmann, 1840, Oil on canvas, 14 x 8 3/4 in</td></tr>
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<b>Highlights from The Robert Lehman Collection</b><br />
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/DT1439.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/DT1439.jpg" /></a></td></tr>
<tr><td class="tr-caption">The Annunciation to Zacharias; (verso) The Angel of the Annunciation, Giovanni di Paolo (Giovanni di Paolo di Grazia), 1455–60, Tempera and gold on wood, 29 7/8 x 17 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/0185-1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/0185-1.jpg" /></a></td></tr>
<tr><td class="tr-caption">Aretino in the Studio of Tintoretto, Jean-Auguste-Dominique Ingres, 1848, 0il on canvas, 17 3/8 x 14 1/8 in</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/DT717.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/DT717.jpg" /></a></td></tr>
<tr><td class="tr-caption">Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn, Jean-Auguste-Dominique Ingres, 1851–53, Oil on canvas, 47 3/4 x 35 3/4 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/DT3156.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/DT3156.jpg" /></a></td></tr>
<tr><td class="tr-caption">Masqueraders, Raimundo de Madrazo y Garreta, 1875–78, Oil on canvas, 40 x 25 1/2 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/DT3258.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/DT3258.jpg" /></a></td></tr>
<tr><td class="tr-caption">Venice: Night of the Festival of the Redeemer, Henri-Edmond Cross (Henri-Edmond Delacroix), 1903, Watercolor over pencil on white wove paper, 5 1/2 x 9 9/16 in</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/264502_1975.1.1155.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/264502_1975.1.1155.jpg" /></a></td></tr>
<tr><td class="tr-caption"><br />Dessert glass(?), probably late 17th century, Italian (Venetian), Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, H. 15.2 cm</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/264512.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/264512.jpg" /></a></td></tr>
<tr><td class="tr-caption">Covered goblet, :probably late 19th century, Italian (Venetian), Opalescent bluish white nonlead glass. Blown, pattern molded, trailed, pincered, applied parts., H. with cover 42.8 cm</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/DT711.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/DT711.jpg" /></a></td></tr>
<tr><td class="tr-caption">A Goldsmith in His Shop, Possibly Saint Eligius, Petrus Christu, 1449, Oil on oak panel, 39 3/8 x 33 3/4 in</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/DT712.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/DT712.jpg" /></a></td></tr>
<tr><td class="tr-caption">The Annunciation, Hans Memling, 1480–89, Oil on panel, transferred to canvas, 30 1/8 x 21 1/2 in. </td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/rl/web-large/SLP2279a_b-1.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/rl/web-large/SLP2279a_b-1.jpg" /></a></td></tr>
<tr><td class="tr-caption">Covered jug, German, Meissen, 1760, Hard-paste porcelain, 5 9/16 in.</td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-21776380910644128082013-04-13T21:14:00.000-04:002013-04-13T21:14:14.855-04:00Impressionists at The Frick<b><a href="http://www.frick.org/exhibitions/clark">The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark Art Institute</a></b><br />
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1981_152_final_2000.jpg?itok=BebgfxQS" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="372" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1981_152_final_2000.jpg?itok=BebgfxQS" width="640" /></a></td></tr>
<tr><td class="tr-caption">Paul Gauguin (1848–1903) <br />
Manao Tupapau (Watched by the Spirits of the Dead), from Noa Noa, Spring/summer 1894<br />
Woodcut printed in yellow, orange, and black on beige wove paper<br />
Sheet: 9 13/16 x 15 ¾ in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1962_58_final_2000.jpg?itok=W492D3iN" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="544" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1962_58_final_2000.jpg?itok=W492D3iN" width="640" /></a></td></tr>
<tr><td class="tr-caption">Paul Gauguin (1848–1903) <br />
Joys of Brittany, from the Volpini Suite, 1889<br />
Zincograph on yellow wove paper<br />
Sheet: 17 ¼ x 21 1/4 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1962_67_final_2000.jpg?itok=Sb-rrftF" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="518" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1962_67_final_2000.jpg?itok=Sb-rrftF" width="640" /></a></td></tr>
<tr><td class="tr-caption">Paul Gauguin (1848–1903) <br />
Martinique Pastorals, from the Volpini Suite, 1889<br />
Zincograph on yellow wove paper<br />
Sheet: 17 ¼ x 21 5/8 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1986_18_final_2000.jpg?itok=z5w3u5f_" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1986_18_final_2000.jpg?itok=z5w3u5f_" width="426" /></a></td></tr>
<tr><td class="tr-caption">Édouard Manet (1832–1883)<br />
Exotic Flower (Woman in a Mantilla), 1868<br />
Etching and aquatint printed in brown and black on cream laid paper<br />
Sheet: 14 1/4 x 9 9/16 in. </td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_2006_10_final_2000.jpg?itok=lUwXZkIM" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_2006_10_final_2000.jpg?itok=lUwXZkIM" width="360" /></a></td></tr>
<tr><td class="tr-caption">Claude Monet (1840–1926) <br />
Caricature of a Man with a Snuff Box, c. 1858<br />
Charcoal heightened with white chalk on blue wove paper <br />
23 1/8 x 13 in</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_1955_1914_final_2000.jpg?itok=1YMQtEtX" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="424" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_1955_1914_final_2000.jpg?itok=1YMQtEtX" width="640" /></a></td></tr>
<tr><td class="tr-caption">Claude Monet (1840–1926) <br />
View of Rouen, 1883<br />
Black chalk on blued white Gillot paper<br />
Sheet: 12 5/16 x 18 11/16 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_09_1955_1386_Final_2000.jpg?itok=yIGY5ftW" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="344" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_09_1955_1386_Final_2000.jpg?itok=yIGY5ftW" width="640" /></a></td></tr>
<tr><td class="tr-caption">Edgar Degas (1834–1917) <br />
Three Ballet Dancers, c. 1878–80<br />
Monotype on cream laid paper<br />
Sheet: 14 x 20 3/16 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1955_1400_final_2000.jpg?itok=LL7N8GqZ" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="460" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1955_1400_final_2000.jpg?itok=LL7N8GqZ" width="640" /></a></td></tr>
<tr><td class="tr-caption">Edgar Degas (1834–1917) <br />
Man Riding, c. 1875–77<br />
Brush and black essence with additions in brown and white gouache and white chalk on oiled brown wove paper<br />
9 11/16 x 13 1/2 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1955_1427_final_2000.jpg?itok=LZk8P2_q" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1955_1427_final_2000.jpg?itok=LZk8P2_q" width="460" /></a></td></tr>
<tr><td class="tr-caption">Henri de Toulouse-Lautrec (1864–1901) <br />
At the Circus: The Dog Trainer, 1899<br />
Black and color chalks, over graphite, on white wove paper<br />
14 x 9 15/16 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_13_1955_1716_Final_2000.jpg?itok=07beFYnS" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_13_1955_1716_Final_2000.jpg?itok=07beFYnS" width="500" /></a></td></tr>
<tr><td class="tr-caption">Pierre Puvis de Chavannes (1824–1898) <br />
Study of a Woman’s Head, c. 1865<br />
Graphite with stumping on beige wove paper<br />
6 7/8 x 5 5/16 in. </td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_02_1955_1504_Final_2000.jpg?itok=ehqi_ukr" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="580" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_02_1955_1504_Final_2000.jpg?itok=ehqi_ukr" width="640" /></a></td></tr>
<tr><td class="tr-caption">Honoré Daumier (1808–1879) <br />
The Drinkers, c. 1860<br />
Watercolor, pen and ink, and charcoal on cream laid paper<br />
9 7/16 x 10 1/2 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_05_1982_8_Final_2000.jpg?itok=_Y47nRBy" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_05_1982_8_Final_2000.jpg?itok=_Y47nRBy" width="500" /></a></td></tr>
<tr><td class="tr-caption">Jean-François Millet (1814–1875) <br />
The Sower, c. 1865<br />
Pastel and Conté crayon on beige wove paper, mounted on wood-pulp board<br />
18 1/2 x 14 ¾ in</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_15_1962_108_Final_2000.jpg?itok=ncZeWDRc" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/Clark_15_1962_108_Final_2000.jpg?itok=ncZeWDRc" width="494" /></a></td></tr>
<tr><td class="tr-caption">Henri de Toulouse-Lautrec (1864–1901) <br />
The Seated Clowness (Miss Cha-U-Kao), from Elles, 1896<br />
Lithograph printed in green-black, black-brown, yellow, red, and blue on cream wove paper<br />
20 11/16 x 15 13/16 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1968_17_final_2000.jpg?itok=RBQvsw2o" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1968_17_final_2000.jpg?itok=RBQvsw2o" width="491" /></a></td></tr>
<tr><td class="tr-caption">Henri de Toulouse-Lautrec (1864–1901) <br />
The Englishman at the Moulin Rouge, 1892<br />
Lithograph printed in black, green, gray, blue, orange-red, and yellow on cream laid paper<br />
Sheet: 23 1/2 x 18 1/16 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1962_105_final_2000.jpg?itok=c-jA-yGU" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="http://www.frick.org/sites/default/files/styles/960-scale/public/exhibitions/objects/Clark_1962_105_final_2000.jpg?itok=c-jA-yGU" width="476" /></a></td></tr>
<tr><td class="tr-caption">Henri de Toulouse-Lautrec (1864–1901) <br />
Miss Loïe Fuller, 1893<br />
Lithograph printed in blue-gray, brown-aubergine, and yellow, touched with gold and silver powder on cream wove paper<br />
Sheet: 15 1/16 x 11 1/16 in.</td></tr>
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and a new addition to Permanent Collection!</div>
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<tr><td style="text-align: center;"><a href="http://nyogalleristny.files.wordpress.com/2012/09/gvs.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="506" src="http://nyogalleristny.files.wordpress.com/2012/09/gvs.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption">Gerard van Spaendonck, Dutch, 1746 - 1822 <br />
Grapes with Insects on a Marble Top, c. 1791-95<br />
oil on marble<br />
11 3/4 x 13 1/2 x 2 1/2 in.</td></tr>
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<b><a href="http://www.frick.org/exhibitions/clocks">Precision and Splendor: Clocks and Watches at The Frick Collection</a></b></div>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/19995144_2000.jpg?itok=rhFuwDj0" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/19995144_2000.jpg?itok=rhFuwDj0" /></a></td></tr>
<tr><td class="tr-caption">David Weber (1623/24−1704)<br />
Gilt-Brass and Silver Table Clock with Astronomical and Calendrical Dials<br />
Augsburg, probably 1653, 23 3/8 x 10 1/16 x 9 7/8 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/SC198058_2000.jpg?itok=O-t00jtk" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/SC198058_2000.jpg?itok=O-t00jtk" /></a></td></tr>
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Lenoble à Paris (dates unknown)<br />
Gilt-bronze mounts attributed to François Rémond (1747–1812), Pediment Clock, Paris, c. 1790<br />
Patinated and gilt bronze, glass, 31 5/8 x 19 3/8 x 8 1/4 in</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/SC197841_2000.jpg?itok=H2l4bO3Q" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/SC197841_2000.jpg?itok=H2l4bO3Q" /></a></td></tr>
<tr><td class="tr-caption">Case by Charles Cressent (1685−1768), Movement by Jean-Baptiste Delaroche (dates unknown)<br />
Spring-Driven Pendulum Clock on a Bracket, Paris, c. 1735<br />
Gilt bronze, enameled metal, and glass, 44 1/2 in. high x 18 1/8 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/19996017_A_2000.jpg?itok=xkpXf7_P" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/19996017_A_2000.jpg?itok=xkpXf7_P" /></a></td></tr>
<tr><td class="tr-caption">George Smith (active c. 1622−after 1646)<br />
Silver Calendrical and Astronomical Pendant Watch, London, c. 1625<br />
silver gilt, gilt brass and steel on brass, 2 7/16 x 1 7/16 x 1 in.</td></tr>
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<tr><td style="text-align: center;"><a href="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/19995151_0.jpg?itok=Kfqx5qBn" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.frick.org/sites/default/files/styles/xlarge-colorbox/public/exhibitions/objects/19995151_0.jpg?itok=Kfqx5qBn" /></a></td></tr>
<tr><td class="tr-caption">Robert Robin (1741–1799), case attributed to Pierre–Philippe Thomire (1751–1843), enameler Joseph Coteau (1740–1812)<br />
mainspring by Claude Monginot (working 1784–1797), Gilt-Bronze and Enamel Mantel Regulator Clock Showing Mean and Solar Time, Paris, 1784, gilt brass, steel, polychrome enamel and gold on gilt brass and bronze, 16 1/8 x 8 3/4 x 6 13/16 in.</td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-81945971356573202342013-04-12T16:07:00.000-04:002013-04-12T18:36:05.592-04:00Stamps & Works in Progress<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrhJpB9S9yN4Ao2x2aLPfT05AsGFKKrvC_kHfda5NDUnZVPVYj0tQlPxf0ooxvvRoLlD5TuEd2zHeMDssSwDTkdViKXMN3qGejDMSeNn43I0gSc9-2xMy7yhGfklPZegR-m9yEr-4czYCx/s1600/Stamp009.GIF" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhrhJpB9S9yN4Ao2x2aLPfT05AsGFKKrvC_kHfda5NDUnZVPVYj0tQlPxf0ooxvvRoLlD5TuEd2zHeMDssSwDTkdViKXMN3qGejDMSeNn43I0gSc9-2xMy7yhGfklPZegR-m9yEr-4czYCx/s640/Stamp009.GIF" width="420" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">i used a stamp made of EZCut over the gold triangle at the top. work in progress, 15" x 9"</td></tr>
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I recently took a DIY Printmaking class at <b><a href="https://www.3rdward.com/">3rdWard</a> </b>and learned a few ways to duplicate patterns. I learned how to basically make a stamp. I made one out of linoleum, but much prefer the softer EZ Cut surface. Below are my first attempts of using them my paintings.<br />
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These are the 3 stamps made, the first 2 on the left are the EZ Cut and the 3rd on the right is linoleum on a wood mount.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNxmdGZ6MSrQOUEdqZ8a34IUNr2nkdMUr1igsrqEQlDD7cvVMtZW0v1vcHlq9XNc8Ta4mBseoovQ53KtZk3ExqLYTHBp0oCdnDglL0fFK2_drmqf_rxiXICEgAgZfuMdO4BouEkYRG2_eL/s1600/Stamp004.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNxmdGZ6MSrQOUEdqZ8a34IUNr2nkdMUr1igsrqEQlDD7cvVMtZW0v1vcHlq9XNc8Ta4mBseoovQ53KtZk3ExqLYTHBp0oCdnDglL0fFK2_drmqf_rxiXICEgAgZfuMdO4BouEkYRG2_eL/s1600/Stamp004.jpg" /></a></div>
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It's black because I couldn't wait to buy proper printing ink and figured I'd give it try with regular acrylic paint. As far as the design, I thought I'd start off with something simple, arrows/diagonal lines.<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqkkhvKDxt4r4ypj4T34XcoOjewy9ieY1TqLEqW2tFf5cxUnaB4pDlye0UhCJuu_BfQTFdhpypv1m_YmYA4p_5DRGjHjCPZoDAlaybyzQrS0ljH_tHqHd-bb030wnKzGpMsN4FMvVL_1Ki/s1600/Stamp005.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhqkkhvKDxt4r4ypj4T34XcoOjewy9ieY1TqLEqW2tFf5cxUnaB4pDlye0UhCJuu_BfQTFdhpypv1m_YmYA4p_5DRGjHjCPZoDAlaybyzQrS0ljH_tHqHd-bb030wnKzGpMsN4FMvVL_1Ki/s640/Stamp005.jpg" width="554" /></a></div>
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This pattern is loosely based on <a href="http://www.liveauctioneers.com/item/12103401_navajo-double-sided-twill-weave-saddle-blanket"><b>Native American saddle blanket weavings.</b></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU5xELuIV0KIuzbxKV44ZbCxhU31EAz5o6zDgPAG0J5XP52F4IyLh0t9HOKAb1fsIFzyTyylB4Vn7PdJgu0gb482-SfxLYTVEIRo1r-HjUTN0AVqnvQIAkgTpnm63af7Y_crD6dgH7Z1jX/s1600/Stamp006.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhU5xELuIV0KIuzbxKV44ZbCxhU31EAz5o6zDgPAG0J5XP52F4IyLh0t9HOKAb1fsIFzyTyylB4Vn7PdJgu0gb482-SfxLYTVEIRo1r-HjUTN0AVqnvQIAkgTpnm63af7Y_crD6dgH7Z1jX/s640/Stamp006.jpg" width="582" /></a></div>
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This linoleum surface is much harder to carve into, so I again stuck to a simple repetition. I now know I can heat it with a blow dryer to soften it. But I'm lazy and I don't like the extra effort needed for that and for the printing. You have to keep the stamp/linoleum up, put the paper on top and press and rub. I wouldn't be able to do that on a panel. I'm sticking to the EZ Cut. It easier and more versatile.</div>
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This is an 10"x8" panel, using gold ink. work in progress.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKqlA8cHgMbBwxw5ENnYNrBGb_JalzI-pouTSyL5RxoOQeRg1oudJkramN5hVXYcbPwnVpKeGUmUbksE2_LZPeUQk0UN_pLAFqtaIB3skVmkTYd0EI_hPBsInCPoivz0ijn__kc_yab_mD/s1600/Stamp007.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgKqlA8cHgMbBwxw5ENnYNrBGb_JalzI-pouTSyL5RxoOQeRg1oudJkramN5hVXYcbPwnVpKeGUmUbksE2_LZPeUQk0UN_pLAFqtaIB3skVmkTYd0EI_hPBsInCPoivz0ijn__kc_yab_mD/s640/Stamp007.jpg" width="482" /></a></div>
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Here we have a mishap. I thought that the printing ink would hold on and not smear after drying, wrong. The linoleum stamp was used in this piece, also a work in progress, 15" x 11". I didn't know how to properly 'stamp' it and did not use the process explained earlier, so it's spotty. But I like the static looking effect that occurred. I was planning on doing a wash of fluorescent yellow but that turned to mud. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9UziwWXuACFbmdkVzTwGsFgf6HfPbSi9x1IVgMyEGj3su-rNk-YM_OunTdoml2fsdQn1xwUIvyig99wzLSsMIRQE21v8hS1wGdtjftlFxFEVZnVVyFFeED9E6uFiNfFyBiul9PEIM-rrj/s1600/Stamp008.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi9UziwWXuACFbmdkVzTwGsFgf6HfPbSi9x1IVgMyEGj3su-rNk-YM_OunTdoml2fsdQn1xwUIvyig99wzLSsMIRQE21v8hS1wGdtjftlFxFEVZnVVyFFeED9E6uFiNfFyBiul9PEIM-rrj/s640/Stamp008.jpg" width="453" /></a></div>
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Here I used a the saddle blanket inspired pattern. The 11" x 7.5" paper was painted black, then a layer of gold stamping, followed by 2 with white paint. I gave it a smear of white gesso on the bottom half. That's where it is now.</div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwkEQfa7EkIIGrnPXX3p4ZubCzanXuT9jQJmHJqr-Gv5CTZAvwzmAmFnDbX-pVi3GaDEEQZuJ3FlAyR-5mO5b4F72V7eLz42_qxINdMF6kYTSP3l4qMW0_37DCmtNUC8KuMIqOuw9FHHAw/s1600/Stamp010.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhwkEQfa7EkIIGrnPXX3p4ZubCzanXuT9jQJmHJqr-Gv5CTZAvwzmAmFnDbX-pVi3GaDEEQZuJ3FlAyR-5mO5b4F72V7eLz42_qxINdMF6kYTSP3l4qMW0_37DCmtNUC8KuMIqOuw9FHHAw/s640/Stamp010.jpg" width="534" /></a></div>
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This is another 10" x 8" panel piece. I used the saddle blanket stamp on the top with gold. work in progress.</div>
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<!-- Blogger automated replacement: "http://images-onepick-opensocial.googleusercontent.com/gadgets/proxy?container=onepick&gadget=a&rewriteMime=image%2F*&url=https%3A%2F%2Fsphotos-a.xx.fbcdn.net%2Fhphotos-prn1%2F546057_10200404657933307_2070335845_n.jpg" with "https://blogger.googleusercontent.com/img/proxy/AVvXsEg_2cWt3nfDq1ue1V2rQiuaHWcAySzw87K3wLiRH7tzySEVSEuHZABesKox9hAHS18Yr4HLcvJqInKjSWcsL63RpxG5h8Kidc2VqxVfltqO46xk6qVeyOgvfPV1f-rKkurzTdJeQfGyo7_qftrTcYnLYc-fwwAGYhZMAfAIriz-bubgkUnsArmIuRTowAYwxOStqvM-LA=" -->Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-5306674490138980022013-04-10T21:24:00.000-04:002013-04-10T21:24:54.431-04:00LES Highlights<b><a href="http://www.katharinemulherin.com/dynamic/exhibit_artist.asp?ExhibitID=485&Exhibit=Upcoming#!prettyPhoto[gallery]/0/">Kris Knight at KATHARINE MULHERIN</a></b><br />
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<tr><td class="tr-caption">Bearskin, oil on canvas, 30 x 30 in</td></tr>
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Laurel Island, oil on canvas, 60x48 in.<br /><br /></td></tr>
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<tr><td class="tr-caption">Blue Ribbon,oil on canvas, 24 x 18 in</td></tr>
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<b>Hey, Hot Shot! 2012 at Jen Bekman Gallery</b><br />
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<tr><td class="tr-caption">Thunderdome by <a href="http://jenbekman.com/artists/erin-okeefe-2/">Erin O'Keefe</a>, archival pigment print</td></tr>
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<tr><td class="tr-caption"><br />Red Box by <a href="http://jenbekman.com/artists/erin-okeefe-2/">Erin O'Keefe</a>, archival pigment print<br /><br /></td></tr>
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<tr><td class="tr-caption">Charlotte by <a href="http://jenbekman.com/artists/trey-wright/">Trey Wright</a>, archival pigment print<br /><br /></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Guastalla, 1971, From the series Kodachrome, Vintage c-print, 7 x 5 inches<br /><br /></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Bastia, 1976 , From the series Kodachrome , Vintage c-print , 5 1/4 x 7 1/2 inches</td></tr>
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<b>PAUL ANTHONY SMITH at Zieher Smith</b></div>
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<tr><td class="tr-caption" style="text-align: center;">Night Walkers, 2013, unique picotage on pigment print, 29 x 24 inches</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Man #2, 2013, unique picotage on pigment print, 29 x 24 inches</td></tr>
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<b><a href="http://www.tracywilliamsltd.com/alika-cooper/alika-cooper_2103_works.html">Alika Cooper at Tracy Williams Ldt.</a></b></div>
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<tr><td style="text-align: center;"><a href="http://www.tracywilliamsltd.com/alika-cooper/works/COOA001_Cooper_Chain_2013_Low.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://www.tracywilliamsltd.com/alika-cooper/works/COOA001_Cooper_Chain_2013_Low.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Chain, 2013, Fabric, adhesive, wood stretcher, 13 1/2 x 9 1/2 inches</td></tr>
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<tr><td class="tr-caption">Stretch, 2013, Fabric, adhesive, wood stretcher, 13 1/2 x 9 1/2 inches </td></tr>
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<b><a href="http://www.bcontemporary.com/exhibitions/2013-03-09_liz-nielsen/">Liz Nielsen at Benrimon Contemporary</a></b></div>
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<tr><td class="tr-caption">Composition: Diamond Sunset, 2012, Unique Chromogenic Photograph, 20 x 24 inches</td></tr>
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<tr><td class="tr-caption">Composition: Tiger Teeth, 2013, Unique C-print, 50 x 40 inches</td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-22054342992127319672013-04-04T17:25:00.000-04:002013-04-04T17:25:34.424-04:00LES Highlights<b><a href="http://marcstraus.com/exhibition/wallandbangsted/index.html">Thomas Bangsted at Marc Straus</a></b><br /><div>
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<tr><td class="tr-caption" style="text-align: center;">Thomas Bangsted, Last of the Dreadnoughts, 2011-2012, Pigment print, 58.7 x 83 inches</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Thomas Bangsted, Untitled (Court), 2010-2011, Pigment print<span class="Apple-tab-span" style="white-space: pre;"> </span>, 59 x 79 inches</td></tr>
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<b><a href="http://marcstraus.com/artist/leonardosilaghi/exhibitions.html">Leonardo Silaghi at Marck Straus</a></b><br />
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<tr><td class="tr-caption" style="text-align: center;">Untitled #1312602, 2013, Oil on Linen ,78.7 x 64.9 inches</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Untitled #1312903, 2013, Oil on Linen, 90.5 x 120.1 inches</td></tr>
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<b><a href="http://www.mckenziefineart.com/exhib/Leaver2013exhb.html">Tom Leaver at McKenzie Fine Art</a></b><br />
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<tr><td class="tr-caption">Sins of the Father I, 2013, Oil on panel, 12 x 9</td></tr>
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<tr><td class="tr-caption">Renaming II, 2013, Oil on panel, 10 x 8 inches </td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0tag:blogger.com,1999:blog-8318235120819784472.post-52873299487531242972013-03-26T22:41:00.001-04:002013-03-26T22:41:27.808-04:00Power Viewing at The Met<b><a href="http://metmuseum.org/exhibitions/listings/2013/sleeping-eros">Sleeping Eros</a></b><div class="separator" style="clear: both; text-align: center;">
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<tr><td class="tr-caption" style="text-align: center;">Bronze statue of Eros sleeping, Hellenistic period 3rd-2nd century B.C. , length 33 9/16 in</td></tr>
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<b><a href="http://metmuseum.org/exhibitions/listings/2013/plain-or-fancy">Plain or Fancy?: Restraint and Exuberance in the Decorative Arts</a></b><br />
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<tr><td class="tr-caption" style="text-align: center;">Karl Friedrich Schinkel, Potpourri vase, 1810, Glass, gilded yellow metal, marble, 20 1/2 × 12 7/8 × 9 1/8 in., 9lb</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/es/web-large/DP106586.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/es/web-large/DP106586.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Pair of vases, 1750, Hard-paste porcelain, gilt bronze, 7 1/4 × 7 1/4 × 5 1/2 in., 6lb. </td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/es/web-large/DP227165.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/es/web-large/DP227165.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Coffee and tea service, Sèvres Manufactory - Designer: Hyacinthe Régnier, 1855–61 , Hard-paste porcelain</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/es/web-large/DP104585.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/es/web-large/DP104585.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Vase, Wedgwood and Co., 1780, Black basalt, 18" H</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/md/web-large/DP111246.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/md/web-large/DP111246.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Jasper Cup with Gilded-Silver Mounts, third quarter 14th century, Jasper, silver gilt mount and foot, 4 1/8 x 4 1/2 x 3 7/16 in.</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/es/web-large/DP157970.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/es/web-large/DP157970.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Cup, 900–1000 CE, mounts ca. 1655–60, Sardonyx, gold, enamel, 4-7/8 x 5-1/8 x 2-7/8 in</td></tr>
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<b><a href="http://metmuseum.org/research/libraries%20and%20study%20centers/antonio%20ratti%20textile%20center%20and%20reference%20library">Bauhaus Textiles from The Bauhaus Archive, in the Antonio Ratti Textile Center</a></b><br />
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/DP8493.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/DP8493.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Immeke Alexandra Schollman Mitscherlich, 1932, Graphite on paper</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/DP8564.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/DP8564.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Hilde Reindl, Gouache and graphite on paper</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/DP14646.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/DP14646.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gertrud Preiswerk, 1926-30</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/sf1991.402.9.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/sf1991.402.9.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Four Parts, Vasily Kandinsky,1932, Gouache on paper, mounted on Masonite, H. 15-3/8, W. 12 inches</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/DP8451.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/DP8451.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gunta Stölzl, 1930s-40s, Wool, cotton, and rayon</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/DP8452.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/DP8452.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gunta Stölzl, 1930s-40s, Cotton and rayon</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/DP8453.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/DP8453.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gunta Stölzl, 1930s-40s, Cotton, rayon, plastic and metallic fibers</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/DT7789.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/DT7789.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Redgreen and Violet-Yellow Rhythms, Paul Klee, 1920, Oil and ink on cardboard, H. 14-3/4, W. 13-1/4 inches</td></tr>
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<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/ma/web-large/AR531.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/ma/web-large/AR531.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Anni Albers, 1949, Cotton, metal foil, L. 11, W. 17-3/8 inches</td></tr>
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<b><a href="http://metmuseum.org/exhibitions/listings/2012/burdick-collection-winter-rotation">"A Sport for Every Girl": Women and Sports in the Collection of Jefferson R Burdick</a></b><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/dp/web-large/DP827453.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/dp/web-large/DP827453.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Forward Wheel Swing, from the Gymnastic Exercises series (N77) for Duke brand cigarettes Issued by W. Duke, Sons & Co., 1887, Commercial color lithograph, 2 3/4 x 1 1/2 in.</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/dp/web-large/DP827421.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/dp/web-large/DP827421.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">From the Sports Girls series (N463) for Old Port Plug Tobacco, Issued by Old Port Plug Tobacco, 1889, Commercial color lithograph, 2 3/4 x 1 1/2 in.</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/dp/web-large/DP827496.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/dp/web-large/DP827496.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Card 308, Tennis Girl, from the series "Artistic Pictures" (T32), issued by Liggett & Myers Tobacco Company to promote Richmond Straight Cut Cigarettes, Valentine Sandberg, 1913-14, Commercial color lithograph, 3 1/8 x 2 3/8 in.</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/dp/web-large/DP827415.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/dp/web-large/DP827415.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Gymnastic, from the Occupations of Women series (N502) for Frishmuth's Tobacco Company, , 1889, Commercial color lithograph, 2 3/4 x 1 1/2 in</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/dp/web-large/DP827358.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/dp/web-large/DP827358.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Album 5, page 29, 1880s, Albumen print, cabinet card, 15 1/8 x 12 3/16 in.</td></tr>
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="http://images.metmuseum.org/CRDImages/dp/web-large/DP827404.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" src="http://images.metmuseum.org/CRDImages/dp/web-large/DP827404.jpg" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Card 15, from the Girl Cyclists series (N49) for Virginia Brights Cigarettes, 1887, Albumen photograph, 2 3/4 x 1 3/8 in. </td></tr>
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Jennifer Sanchezhttp://www.blogger.com/profile/14627790910159190492noreply@blogger.com0