Impressionists at The Frick

The Impressionist Line from Degas to Toulouse-Lautrec: Drawings and Prints from the Clark Art Institute

Paul Gauguin (1848–1903)
Manao Tupapau (Watched by the Spirits of the Dead), from Noa Noa, Spring/summer 1894
Woodcut printed in yellow, orange, and black on beige wove paper
Sheet: 9 13/16 x 15 ¾ in.

Paul Gauguin (1848–1903)
Joys of Brittany, from the Volpini Suite, 1889
Zincograph on yellow wove paper
Sheet: 17 ¼ x 21 1/4 in.

Paul Gauguin (1848–1903)
Martinique Pastorals, from the Volpini Suite, 1889
Zincograph on yellow wove paper
Sheet: 17 ¼ x 21 5/8 in.

Édouard Manet (1832–1883)
Exotic Flower (Woman in a Mantilla), 1868
Etching and aquatint printed in brown and black on cream laid paper
Sheet: 14 1/4 x 9 9/16 in.

Claude Monet (1840–1926)
Caricature of a Man with a Snuff Box, c. 1858
Charcoal heightened with white chalk on blue wove paper
23 1/8 x 13 in

Claude Monet (1840–1926)
View of Rouen, 1883
Black chalk on blued white Gillot paper
Sheet: 12 5/16 x 18 11/16 in.

Edgar Degas (1834–1917)
Three Ballet Dancers, c. 1878–80
Monotype on cream laid paper
Sheet: 14 x 20 3/16 in.

Edgar Degas (1834–1917)
Man Riding, c. 1875–77
Brush and black essence with additions in brown and white gouache and white chalk on oiled brown wove paper
9 11/16 x 13 1/2 in.

Henri de Toulouse-Lautrec (1864–1901)
At the Circus: The Dog Trainer, 1899
Black and color chalks, over graphite, on white wove paper
14 x 9 15/16 in.

Pierre Puvis de Chavannes (1824–1898)
Study of a Woman’s Head, c. 1865
Graphite with stumping on beige wove paper
6 7/8 x 5 5/16 in.

Honoré Daumier (1808–1879)
The Drinkers, c. 1860
Watercolor, pen and ink, and charcoal on cream laid paper
9 7/16 x 10 1/2 in.

Jean-François Millet (1814–1875)
The Sower, c. 1865
Pastel and Conté crayon on beige wove paper, mounted on wood-pulp board
18 1/2 x 14 ¾ in

Henri de Toulouse-Lautrec (1864–1901)
The Seated Clowness (Miss Cha-U-Kao), from Elles, 1896
Lithograph printed in green-black, black-brown, yellow, red, and blue on cream wove paper
20 11/16 x 15 13/16 in.

Henri de Toulouse-Lautrec (1864–1901)
The Englishman at the Moulin Rouge, 1892
Lithograph printed in black, green, gray, blue, orange-red, and yellow on cream laid paper
Sheet: 23 1/2 x 18 1/16 in.

Henri de Toulouse-Lautrec (1864–1901)
Miss Loïe Fuller, 1893
Lithograph printed in blue-gray, brown-aubergine, and yellow, touched with gold and silver powder on cream wove paper
Sheet: 15 1/16 x 11 1/16 in.

and a new addition to Permanent Collection!

Gerard van Spaendonck, Dutch, 1746 - 1822
Grapes with Insects on a Marble Top, c. 1791-95
oil on marble
11 3/4 x 13 1/2 x 2 1/2 in.

Precision and Splendor: Clocks and Watches at The Frick Collection

David Weber (1623/24−1704)
Gilt-Brass and Silver Table Clock with Astronomical and Calendrical Dials
Augsburg, probably 1653, 23 3/8 x 10 1/16 x 9 7/8 in.

Lenoble à Paris (dates unknown)
Gilt-bronze mounts attributed to François Rémond (1747–1812), Pediment Clock, Paris, c. 1790
Patinated and gilt bronze, glass, 31 5/8 x 19 3/8 x 8 1/4 in

Case by Charles Cressent (1685−1768), Movement by Jean-Baptiste Delaroche (dates unknown)
Spring-Driven Pendulum Clock on a Bracket, Paris, c. 1735
Gilt bronze, enameled metal, and glass, 44 1/2 in. high x 18 1/8 in.

George Smith (active c. 1622−after 1646)
Silver Calendrical and Astronomical Pendant Watch, London, c. 1625
silver gilt, gilt brass and steel on brass, 2 7/16 x 1 7/16 x 1 in.

Robert Robin (1741–1799), case attributed to Pierre–Philippe Thomire (1751–1843), enameler Joseph Coteau (1740–1812)
mainspring by Claude Monginot (working 1784–1797), Gilt-Bronze and Enamel Mantel Regulator Clock Showing Mean and Solar Time, Paris, 1784, gilt brass, steel, polychrome enamel and gold on gilt brass and bronze, 16 1/8 x 8 3/4 x 6 13/16 in.