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| Paul Gauguin (1848–1903) Manao Tupapau (Watched by the Spirits of the Dead), from Noa Noa, Spring/summer 1894 Woodcut printed in yellow, orange, and black on beige wove paper Sheet: 9 13/16 x 15 ¾ in. |
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| Paul Gauguin (1848–1903) Joys of Brittany, from the Volpini Suite, 1889 Zincograph on yellow wove paper Sheet: 17 ¼ x 21 1/4 in. |
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| Paul Gauguin (1848–1903) Martinique Pastorals, from the Volpini Suite, 1889 Zincograph on yellow wove paper Sheet: 17 ¼ x 21 5/8 in. |
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| Édouard Manet (1832–1883) Exotic Flower (Woman in a Mantilla), 1868 Etching and aquatint printed in brown and black on cream laid paper Sheet: 14 1/4 x 9 9/16 in. |
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| Claude Monet (1840–1926) Caricature of a Man with a Snuff Box, c. 1858 Charcoal heightened with white chalk on blue wove paper 23 1/8 x 13 in |
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| Claude Monet (1840–1926) View of Rouen, 1883 Black chalk on blued white Gillot paper Sheet: 12 5/16 x 18 11/16 in. |
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| Edgar Degas (1834–1917) Three Ballet Dancers, c. 1878–80 Monotype on cream laid paper Sheet: 14 x 20 3/16 in. |
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| Edgar Degas (1834–1917) Man Riding, c. 1875–77 Brush and black essence with additions in brown and white gouache and white chalk on oiled brown wove paper 9 11/16 x 13 1/2 in. |
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| Henri de Toulouse-Lautrec (1864–1901) At the Circus: The Dog Trainer, 1899 Black and color chalks, over graphite, on white wove paper 14 x 9 15/16 in. |
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| Pierre Puvis de Chavannes (1824–1898) Study of a Woman’s Head, c. 1865 Graphite with stumping on beige wove paper 6 7/8 x 5 5/16 in. |
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| Honoré Daumier (1808–1879) The Drinkers, c. 1860 Watercolor, pen and ink, and charcoal on cream laid paper 9 7/16 x 10 1/2 in. |
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| Jean-François Millet (1814–1875) The Sower, c. 1865 Pastel and Conté crayon on beige wove paper, mounted on wood-pulp board 18 1/2 x 14 ¾ in |
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| Henri de Toulouse-Lautrec (1864–1901) The Seated Clowness (Miss Cha-U-Kao), from Elles, 1896 Lithograph printed in green-black, black-brown, yellow, red, and blue on cream wove paper 20 11/16 x 15 13/16 in. |
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| Henri de Toulouse-Lautrec (1864–1901) The Englishman at the Moulin Rouge, 1892 Lithograph printed in black, green, gray, blue, orange-red, and yellow on cream laid paper Sheet: 23 1/2 x 18 1/16 in. |
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| Henri de Toulouse-Lautrec (1864–1901) Miss Loïe Fuller, 1893 Lithograph printed in blue-gray, brown-aubergine, and yellow, touched with gold and silver powder on cream wove paper Sheet: 15 1/16 x 11 1/16 in. |
and a new addition to Permanent Collection!
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| Gerard van Spaendonck, Dutch, 1746 - 1822 Grapes with Insects on a Marble Top, c. 1791-95 oil on marble 11 3/4 x 13 1/2 x 2 1/2 in. |
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| David Weber (1623/24−1704) Gilt-Brass and Silver Table Clock with Astronomical and Calendrical Dials Augsburg, probably 1653, 23 3/8 x 10 1/16 x 9 7/8 in. |
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Lenoble à Paris (dates unknown) Gilt-bronze mounts attributed to François Rémond (1747–1812), Pediment Clock, Paris, c. 1790 Patinated and gilt bronze, glass, 31 5/8 x 19 3/8 x 8 1/4 in |
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| Case by Charles Cressent (1685−1768), Movement by Jean-Baptiste Delaroche (dates unknown) Spring-Driven Pendulum Clock on a Bracket, Paris, c. 1735 Gilt bronze, enameled metal, and glass, 44 1/2 in. high x 18 1/8 in. |
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| George Smith (active c. 1622−after 1646) Silver Calendrical and Astronomical Pendant Watch, London, c. 1625 silver gilt, gilt brass and steel on brass, 2 7/16 x 1 7/16 x 1 in. |
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| Robert Robin (1741–1799), case attributed to Pierre–Philippe Thomire (1751–1843), enameler Joseph Coteau (1740–1812) mainspring by Claude Monginot (working 1784–1797), Gilt-Bronze and Enamel Mantel Regulator Clock Showing Mean and Solar Time, Paris, 1784, gilt brass, steel, polychrome enamel and gold on gilt brass and bronze, 16 1/8 x 8 3/4 x 6 13/16 in. |
