There were 2 shows i specifically went to see at the Morgan:
Degas, Miss La La, and the Cirque Fernando and
Drawing Surrealism.
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_vtX-r2u8nFrpoYfCB_kl-DHQNp7VKNLWYrNXPaLHzRExocuTORqtaulv938ju9SUe0M0yhrTnTaOSqDNZTBHxGMmkiE_Po977xwd7FbEJe81QdksxJnQbH-2euVRy4KhrWs6gPjblfFDc=s0-d) |
Edgar Degas, Mademoiselle Bécat at the Café des Ambassadeurs, Pastel over lithograph, Signed and dated at lower right, in pastel, 9 1/16 x 7 7/8 inches |
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uCaEkq4FjyeVAY3i53NhgQOLWJjHSzUuiRPbPXOU1Rzk4RJobCmuVzenTzXhfMCBnUhzrD91SIl7B_xWCRxTyq_fpr3LE9RedRuQMqVEyUwg=s0-d) |
Rene Magritte. 1932. "Les affinites electives." Gouache, watercolour, black ink and charcoal on paper
|
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRq2GRRORDpzsdVDdw3MjPlwEaorlbS-A7xg01aQL8b5YSxgV5XRn_G_g-Xu7rRGz9PE6PICH8VDKcozY25iGQNeItmVSsatZsYFRDFazx2u0pZ2qiYU6SPgRz3Z1vOKv9nDtLFcSP9nU/s1600/surreaAl.jpg) |
HIRAI Terushichi, Fantasies of the Moon, 1938 |
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_sFz4duHBjWnPb1tuutYrE5E3Y4-SLTAWhZh8wc441QBXfPi38yMSnz7L7pS9Ft2zUCHQF7F5RdCyczSWv0FGjNSlFUQ9okIOLe6-3mojIpta31V5PK1wiOY4H2bOF9cNinrEXYXKeg2u5ujVPA0Mr747ELHDTYjuBPxRBj=s0-d) |
Man Ray, photogram of Gramophone Record, 1933 |
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd2G1VTtg7-btz6lC0PwOtiorm4u_0g73UQXhJ7ivDt3e-imsSA4fmLhFHZXfGq_sKnFxSEgEQyesUFZysLYVbruiJgmXbZWqEDdkA3f0JN6af5bQ2ZD7aEmuiSV5De4bjaIvsuUNwryw/s640/Ren%25C3%25A9+Magritte%257EThe+Key+to+Dreams%252C+1930.jpg) |
René Magritte - Key of Dreams (La Clef des songes), 1930, 81 x 60 cm |
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uiUcar8ZR481a-vYUlrnpPRsXZZmOQW8yTsp68Fgx7XeoIrVJP_417N7mtcWAnQPouIAUYa22HWCPAdJZ_ExfP-rwJkxlV2Iawg3GvNvdUsj8t_hmehbEcorZxGX1ur1gunAU0RtE=s0-d) |
César Moro, Adorée au grand air (collage on sandpaper), 1935 |
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_v82_xHDLigki3zbuWPiDsyw4SPS3P-8xVEQ-pS6vI6hn1t242vORvpoe_tKXnrlI9817qIFWU8yJ0keww51nmPnzoWtnKYiFfxelwcD9H81zwzKfl0Yk20f5uhuQA2tzmPe5jqtQBY9A-pq3JSlkJDcEIgvp6ji4eY1ipXjVEauCzD3bkYnK2O0y03LMk=s0-d) |
Max Ernst, La femme 100 tetes ouvre sa manche auguste (The 100-headed Woman Opens Her August Sleeve), 1925, Collage: cut and pasted wood engravings mounted on paper |
![](https://lh3.googleusercontent.com/blogger_img_proxy/AEn0k_uPkEmulptr64sYQnz1ZQbPgvFDfP8n_qxXJt3YSgnX97mz2DbwoW2GAyEuf1u6sKEazHCRf50Xpmsr_ugSCIB6ExP4-sT4G8CTZ3VMhlwvJm3rGn0ciVeBHkHRlUE25ud0O0oOABJFWl-YAzzy0i3-MrLQkKfNOB-RmvC-pU8PvLdLzncaIKdkSEcw_OxVKw=s0-d) |
Andre Breton , Jacqueline Lamba, Yves Tanguy, Exquisite Corpse, 1938, Collage |
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